Jack's Theatre

"...Tenor" Grabs Must-See in Mount Dora

2012-01-24T20:57:00.001-05:00

Tito Merelli (Patrick Zaia) captivates Diana (Jennifer Bonner)
photo provided

Give credit to Ken Ludwig for scripting his brilliant farce “Lend Me A Tenor.” It is considered one of only a few classic farces by American playwrights that features at least five doors, mistaken identities, and improbable situations. Give Artistic Director Darlin Barry credit for amassing an outstanding cast and directing them to post the best comedy in North Central Florida this season at the Sonnentag Theatre, IceHouse in Mount Dora.

The set depicts a 1934 hotel suite in Cleveland. Saunders (Ken Rush), the impresario of local Opera society, and his assistant, mild mannered Max (Jacob Waldron), await the internationally renown, flamboyant operatic tenor Tito Merelli (Patrick Zaia) scheduled for a one night benefit performance of Verdi’s “Otello.” For Cleveland this is a landmark event to establish itself as a cultural center between New York and Chicago.

Merelli and wife Marie (Robyn Sennott) arrive. Through a sequence of humorous happenings Tito is mistakenly pronounced dead just before the curtain is about to rise. Saunders sees his night of triumph heading for disaster and convinces the introvertish Max to assume the flamboyant Italian’s identity. After all, Max can sing, knows the music, and the Otello’s blackface, wig, and full costume make a perfect disguise. They make a Faustian bargain.

When Tito revives himself and dons his backup costume, the comedy of mistaken and assumed identities hatches and the farce begins in earnest at a Marx Brothers pace.

Everyone wants their fifteen minutes of fame with the pseudo star. Maggie (Jackie Prutsman), Saunders’ daughter, is willing sacrifices her virginity on the altar of his aura. Diana (Jennifer Bonner), the opera’s diva, attempts to seduce him, clad only in a bath towel while Julia (Kit Hoffman-Dittner), matriarch of the Guild, seeks to physically relax him. The Bellhop (Rick Breese) grovels in hopes of impressing him with his singing. Max, in disguise, enjoys the adulation and magically morphs from a milquetoast gofer to a magnificent Mediterranean maestro.

It is Rush as Saunders who sets the initial frenetic pace so necessary for this farce to succeed. Others join in and there is not a weak performance in the bunch. Timing and line pick-up are impecable.

Also making this show a cut above the rest is the physical similarity of Waldron and Zaia that, along with great facial makeup, that makes the identity switch seem plausible.

Costuming for the three actresses is right out of Life Magazine. Sound is excellent using a combination of body and overhead microphones. FYI: The whirlwind curtain call which compresses the entire play into an 85 second romp is scripted.

Ken Ludwig is one of America’s leading comedic playwrights. “Lend Me a Tenor,” along with his “Moon Over Buffalo” have had respectable Broadway runs and are very popular on the regional and community theatre levels. “…Tenor” won the 1989 Tony Award for best play and the show just had a revival showing on Broadway. The edition at the IceHouse gets my unqualified top Must-See recommendation.

The show runs Thursday-Sunday through February 12. Prices are $20, $18 for seniors. Group discount prices are available. For reservations and other information click on icon at left. For area shows for the remainder of the season, click on One Hundred Plays on the right.

Another Ludwig Farce "Moon Over Buffalo"

2012-01-23T21:16:00.001-05:00

If you liked "Lend Me a Tenor" there is a chance to see "Moon Over Buffalo" by the same playwright scheduled for the Central Florida Campus at Ocala this weekend. This CF Foundation fundraiser may be sold out, but you can check for any remaining tickets by clicking on the logo on the left.

Woody Allen's "Don't Drink the Water" opens at Melon Patch, Leesburg

2012-01-21T15:29:00.002-05:00

Standing RuthAnn Proch, Fred Due
Seated Alan Terry Jr., Kenyatta Edwards

Ambassador Magee (Dan Bordenkircher) is the U.S. appointee to a small, strictly controlled communist country in central Europe. Duty calls Magee back to the states and, with some trepidation, he leaves his son Axel (Alan Terry Jr.) in charge even though Axel has a 'perfect record' in diplomacy .The problem is that Axel’s ‘perfect record’ is in mistakes.

Woody Allen’s “Don’t Drink the Water,” currently playing at the Melon Patch has plenty of other off-beat characters. Father Drobney (Greggory Allen) opens the action with a comedic monologue detailing how he has become a six-year resident at the Embassy. But it takes Axel’s inept handling of the Hollander family seeking sanctuary in the Embassy that really gets the laughs going.

Tourist Walter Hollander (Fred Due) is accused of being a spy for unintentionally taking snapshots of military installations. Wife Marion (RuthAnn Proch) has a sharp tongue which cuts Walter down or up as the occasion demands. Kenyatta Edwards plays the Hollanders’ daughter Susan and once you get past the initial shock of Director Dan Wilson’s non-traditional casting, everything falls nicely into place.

Terry takes the part of the hapless, bumbling Alex, a role that Woody Allen wrote for himself. It is the pivotal character, which Terry slightly overplays.

The actual leads are Due and Proch who have the experience and stage presence to pull off most of the laughs. Due, a Del Webb Spruce Creek resident has a long list of credits topped by a stand-out performance as Julian Marsh, the male lead in Ocala Civic’s “42nd Street.” Proch grabbed a MP “Sara Award” as Claire in “Rumors.” Their excellent chemistry and timing make this show worth seeing.

Kenyatta Edwards makes her first major role a memorable one. She aced her lines and delivery. Expect to see more of this lovely young lady as roles open up for her.

Others in the cast are Don Campbell, Thomas LaRosa, Tucker Bordenkircher, Tamra Halsey, and Angela Oxendine, Michael Winternheimer and CF Turk reprise from the MP’s 2002 presentation.

“Don’t Drink the Water” is Woody Allen’s first play of note. Written in 1966 as a spoof of the cold war, it is obviously dated, however, it continues to be the darling of community and college theaters because of its variety of secondary roles.

This show runs weekends through February 5. For times, prices, and reservations call 787-3013 or click icon on the left column.

Correction. "Nine" at IceHouse preceeded Clermont's current showing

2012-01-20T15:51:00.002-05:00

Several readers pointed out that the IceHouse Theatre presented "Nine, The Musical" several years ago, contrary to the article below. The following is the e-mail received from Terrence Shank, Artistic Director at the IceHouse at that time:

Staged NINE at The IceHouse some years back - which would have been the

first in the area. Maybe before you started reviewing at IceHouse. Cheers

Terrence

"Nine" The Musical makes area debut by Moonlight Players of Clermont

2012-01-17T11:51:00.002-05:00

What comes after eight and a half? If it has a story line about the life of Italian film-maker Federico Fellini, it has to be “Nine,” the musical by the Moonlight Players now playing at the Warehouse Theatre in Clermont.

Movie director Guido Contini (Ashley Richards) at 40 is facing a premature mid-life crisis. He has promised to start filming a script which is still a seed in his mind. His search to crack the “writer’s block” leads him back to his childhood, his fascination with women, and his not-yet-broken marriage of 20 years.

Nicholas Neto, Richards, Bryce Hall

Guido is taunted, teased, and tempted by seventeen women of his past. While this sounds like a dream role, Richards (the only adult male in the cast) has his work cut out for him. Coming off a solid supporting role in “Dracula” at Bay Street, Richards handles every part of his assignment well in this difficult interpretation.

Long suffering wife Luisa is played by Joelle Hall and Denise Truscott takes the part of Guido’s mother in flashbacks. Mistresses of variety are played by Kashla Perez, Teresa Smith, Leslie Howe, Liz Collado, and Nina Neto.

One flashback has young Guido with three classmates using tambourines. Here is a rare opportunity to see youngsters really having a disciplined, yet fun time on stage.

Music is nicely provided by Dan Martin and does not overpower the singers.

Veteran performer Denise Glicker’s clear diction and projection in a supporting role is an example for the less experienced actors to follow.

The show opened on Broadway in 1982 and won a Tony Award for best musical. The film version was launched in 2009.

The Moonlight Player’s “Nine” is the first showing of this musical in the North-Central region of Florida. Director Jan Sheldon takes a calculated risk in this selection. The biggest question is not the acting or music, but for whom the musical is really for. It is a question I cannot answer.

To make your own choice, click on the icon on the left for further information. Be mindful that this may be your only opportunity to see “Nine” locally. The show runs through February 12.

NOTE:

Hats off to George Perez for his partial sponsorship of this show. Perez is internationally recognized as an award winning comic book artist. He has currently been drawing the designs for the play bill covers for the Moonlight players.

Auditions

2012-01-16T12:28:00.003-05:00

“Blithe Spirit”
Villages Theatre Company
January 26, 27
2 - 4:20 pm Mulberry Rec Center
Patriot Room
Production Dates: April 13 – 16
Roles: 2 Men 4 Women

Comedy by Noel Coward. Deceased wife returns to meddle with widowed husband;s new marriage.

Director: George DelMonte

January Happenings

2012-01-15T12:34:00.001-05:00

LES MISERABLES Jan 17 Bob Carr Theatre Orlando

DON’T DRINK THE WATER Jan 20 Melon Patch Players, Leesburg

LEND ME A TENOR Jan 20 IceHouse, Mount Dora

ROMEO AND JULIET Jan 25 Shakespeare Theatre, Orlando

MOON OVER BUFFALO Jan 25 Central Florida, Ocala

Want to see remainder of season?

2012-01-09T16:59:00.000-05:00

Click on
ONE HUNDRED PLAYS

Neil Simon's "Rumors" at Ocala Civic is Too Good to Miss

2012-01-08T18:27:00.007-05:00

photo provided

Rumor has it that the comedy-farce “Rumors” now playing at the Ocala Civic Theatre is ‘too good to miss.’ In this case, the rumor is true as Director Christine Perry whips ten of the area’s most talented actors into a sparkling rendition of what is widely considered one of Neil Simon’s top three plays. The only disappointment for theater-goers is that this Signature Presentation is scheduled for only two weekends.

Simon’s play is a parody on four wealthy, self-centered New York couples who are invited to the tenth wedding anniversary of their friend, Charlie Brock, Deputy Mayor of New York and wife Myra who, incidentally, are never seen. Charlie’s lawyer Chris Gorman (Chip Morris) and wife Chris (Laura Bradford) find him semi-conscious in an upstairs bedroom with a gunshot through his ear lobe. They try to cover up the situation as guests Lenny and Claire Ganz (Jeff Cole, Joy Newkirk); Ernie and Cookie Cusack (John LaPaille, Barbara Lorio); and Glenn and Cassie Cooper (Esteban Alvarez, Robin Lynn Koper) arrive.

Later, Police Officer Welch (Ken Noble) and Officer Pudney (Elizabeth Underwood) try to bring order out of chaos.

The exceptionally fast pace of the first act is what makes this show a winner. Veterans Cole and Morris are standouts in rapid-fire delivery with excellent diction and the others keep up with them.

Brock’s home is upscale New York as only OCT can create. The full staircase and balcony are used expertly to underline the mayhem.

Koper, Underwood, and Lorio all make fine debuts on the OCT stage. Lorio brings along not only talent but also a bevy of ticket holders from Del Webb at Spruce Creek and also from The Villages.

The only chink in the performance is the believability that Cusack is really a Psychiatrist or that Cooper is a politician. That did not, however, prevent LaPaille and Alverez from getting laughs.

“Rumors” is a Signature Presentation at Ocala Civic Theatre that runs only through next weekend, Wednesday-Sunday January 11-15 For ticket prices, availability, and curtain times for this show that is ‘too good to miss,’ click logo on the left.

NOTE: Adult language (if you are quick enough to catch it!)

.........New Shows Start New Year.........

2011-12-30T17:16:00.004-05:00

photo by Scott Daniel

The new year starts off with two spirited productions: Rumors” at the Ocala Civic Theatre, opening on Thursday, January 5 and “Hairspray” at the Show Palace Dinner Theatre in Hudson on Friday, January 6.

“Hairspray,” the story of a big girl with big hair and even bigger dreams, makes its regional debut in North Central Florida at the Show Palace. The show celebrates the pop rock music of the 1960’s. On Broadway “Hairspray: set records for a musical comedy. Guest Director/Choreographer David Rosetti should deliver a polished version of the original dance routines. Click logo on left for show dates, times, and prices.

Neil Simon’s only stage farce, “Rumors” pits four couples against an implausible situation at a dress up dinner party. Nothing comes off as planned. The best of Ocala’s veteran actors featuring Jeff Cole and Chip Morris are sure to keep the audience laughing. THIS SHOW HAS ONLY A TWO WEEK RUN. For show times and prices click logo on left.

Upcoming shows for January are:

          SIRENS Jan 12 Hippodrome, Gainesville

          NINE Jan 13 Moonlight Players, Claremont

          LES MISERABLES Jan 17 Bob Carr Theatre Orlando

          DON’T DRINK THE WATER   Jan 20 Melon Patch Players, Leesburg

          LEND ME A TENOR Jan 20 IceHouse, Mount Dora

          ROMEO AND JULIET Jan 25 Shakespeare Theatre, Orlando

         MOON OVER BUFFALO Jan 25 Central Florida, Ocala

Make Jacks Theatre a Favorite

2011-12-28T16:56:00.001-05:00

Melon Patch forecasts "White Christmas"

2011-12-03T21:25:00.001-05:00

Dustin Lavine, Kelly Zipperer, Tracy and Billy McCoy

Entertainers Bob Wallace (Billy McCoy) and Phil Davis (Dustin Lavine) are performing in a Christmas show for their fellow soldiers. It’s 1944 and the allied troops are knocking at the door of the Third Reich in Germany. The Americans GI’s are dreaming of Christmas back home best described in the song “White Christmas” by Irving Berlin in the musical of the same name now showing at the Melon Patch Theatre in Leesburg.

The plot quickly zips to 1954. Wallace and Davis are still a team and frequently appear on the Ed Sullivan TV show. They meet the sister act of Betty and Judy Haynes (Tracy McCoy and Kelly Zipperer). Soon the four are on their way to resort in Vermont that they discover is owned by their former Army General (Hank DeLorme). The ski lodge is in disastrous financial condition. In true Andy Rooney-Judy Garland fashion, Wallace and Davis plan a show (in a barn) that will save the day for their former army leader.

The McCoys are the best known performing couple in the local theatre circuit and respond in expert fashion. Zipperer is at home in the singing-dancing role of Judy that reveals her true on-stage potential. A pleasant surprise is the enthusiastic, upbeat performance of Lavine. His second act opening dance with Zipperer is a show-stopper.

Laney Lavine has a chance to belt some songs as the ditzy clerk at the resort, Martha. Molly Smith gives an impressive performance as the General’s granddaughter. A little more coaching on cheating toward the audience on her deliveries and this young ten-year-old could earn a star on her own dressing room. Octogenarian C.F. Turk makes a fine cameo appearance that the audience loved.

Choreography by Sally Gage is on the mark, both appropriate and well performed. Scenery changed nicely with the MP crew utilizing the fly space to advantage.

Technically, the dressing room and train scenes would play better further down stage. DeLorme’s costume needs work. Projection by the McCoy-Lavine team is excellent but the voices of the sisters are occasionally overpowered by the wind instruments in the band.

Despite fine individual performances and good blocking by Director Paul Thornton, the musical drags in a do-nothing first act script that has little chance working. The original 1954 film starred Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Other than “White Christmas” that was already sung by Crosby in “Holiday Inn” it contains none of Berlin’s more memorable hits. Vera-Ellen’s was cast to perform the Bob Fosse dances but her singing had to be dubbed by Gloria Wood. It was doomed on the silver screen by opening on January 1, 1954 thereby missing the Christmas season. The Broadway musicals, opened in 2008 and revived in 2009, were both box office disasters considered outdated and dull by NYC theater-goers.

But Leesburg is not Broadway. You may find the Melon Patch version with its upbeat individual performances in “White Christmas” worth the trip. Look for some snow in the finale.

This show at the Melon Patch Theatre in Leesburg runs weekends through December 18. Prices are $15. Evening show times are 8 pm. Sunday matinees are at 2 pm.. For reservations or further information call 787-3013 or visit the Web Site at http://www.melon-patch-players.com/..

“Every Christmas Story Ever Told” tells it all (and then some)

2011-11-30T18:45:00.002-05:00

Jim Meadows, Joel Warren, John Gracey
Photo provided

“Marley was dead: to begin with. There is no doubt whatever about that……..Old Marley was as dead as a door-nail,” the actor (Joel Warren) says.

It’s Dickens’ “A Christmas Carol” again, but two other actors (James Meadows and John Gracey) rebel. They are tired of repeating the Dickens classic and begin a madcap parody of every other Christmas story instead. In their seamless poking fun at tradition, nothing is spared not even Chanukah and Kwanzaa. Taking the brunt of their pokes is Gustav the Green-Nosed Rein-Goat, noting that the Red-Nosed creature is copyrighted.

Warren, Meadows, and Gracey are masters of timing in this difficult but hilarious show. Costume changes are rapidly made offstage or from a chest center stage a la “Man of La Mancha.”

In the second act of this 90 minute show, they intermix “It’s a Wonderful Life” and “A Christmas Carol” with interchanging Clarence getting his wings and Marley repenting. A clever medley of ‘Every Christmas Song….’ adds a finishing touch.

A very receptive packed house on opening night gave this upbeat, energetic performance a hearty endorsement.

“Every Christmas Story…..” is directed by Joel Warren and is part of the Bay Street Project that offers new and avant-garde works. Performances are Sunday evenings December 4, 11 at 7:30 pm. Ticket prices are a bargain $10.

A special holiday performance is scheduled for Saturday, December 10 at 8pm. Patrons will enjoy refreshments as they meet the actors and listen to live music performed by Patrick Ward. Admission price for the bonus performance is $15 for adults.

For further information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

HOLIDAY WISH LIST

2011-11-25T16:43:00.000-05:00

Singing Christmas Trees
First Baptist Church Orlando
Dec 2-11
One of a kind spectacular
Singingtrees.org

Silver Springs Lights
A million light display
Dec 16-31
Silversprings.com

Orange Blossom Opry Christmas Cast Show
Best Overall bargain in area
Dec 3,9 10,16,17
obopry.com

Florida Carriage Museum
Old fashion Holiday Ride closeby
Dec 1, 7, 8, 14,15
thegrandoaks.com

Citrus Tower/
Great View of the surrounding area
citrustower.com
Add in a visit to Lakeridge Winery close by
lakeridgewinery.com

Gaylord Ice Festival
The ice carvings will put a snap in your step
Nov 25- Jan 5
www.gaylordhotels.com/gaylord-palms/

SHOWS AND REVUES WITH CHRISTMAS THEME

Show Palace Christmas
Holiday revue with a theme
The ONLY DINNER THEATRE in area
Nov 24 – Dec 25
Always good theatre plus good food

“Annie” IceHouse Mount Dora
Great for kids.
Final act is Christmas party
See review!

Jacob Marley’s Christmas Carol
Montverde
December 2, 3, 4
http://www.communityartsconnection.com/

Nutcracker Ballet
Ocala Civic
Dec 9 – 18
A class show at half the price elsewhere with free parking!
http://www.ocalacivictheatre.com/

Every Christmas Story Ever Told
Bay Street
Sunday Evenings
Nov 27 – Dec 11
Hilarious abbreviated tales
baystreetplayers.org

White Christmas
Melon Patch Theatre
Dec 2 - Dec 18
Always a favorite
melon-patch-players.com

"Annie" Gets an A Grade in Mount Dora

2011-11-23T15:40:00.002-05:00

Hanna Cheesman as Annie
photo provided

What’s not to like about a poor orphan girl who has optimism, a loveable dog, and the wisdom of Solomon? To have these traits at the nadir of the Great Depression in New York City makes this child very special as shown in musical “Annie” now playing at the Sonnentag Theatre at the IceHouse in Mount Dora.

Annie (Hannah Cheesman) was left as an infant on the doorsteps of the New York City Municipal Orphanage supervised by the mean spirited Miss Hannegan (Joan Nelson). In the opening scene nine ragamuffin waifs led by Annie lament their predicament in a spritely “A Hard Knock Life” number that shows off their individual budding talents.

Things take a turn for the better for the orphan when Grace Farrel (Robyn Sennott), secretary to billionaire Oliver Warbucks (J. Michael Werner), selects Annie to spend the Christmas holidays at the Warbucks mansion as a philanthropic gesture. Werner is an excellent choice for Warbucks, the blustering autocrat whose heart is touched by Annie, but Sennott is the perfect choice for Grace, the warm yet level headed assistant.

A show about the well known comic strip character is nothing if the leading role is not played properly. With less than a perfect singing voice, the young Cheesman is still able to pull off her assignment with an effervescent, enthusiastic delivery rarely seen. A Shirley Temple attitude lets Cheesman takes charge---even up to leading the massive Warbucks around in their dance. Her line delivery and diction are close to perfect for a youngster playing the role upward in age. In addition, she is always on cue.

In the supporting role area, Hannegan, Rooster (Eddy Coppens), and Lilly (Emily Coppens) give a rousing version of “Easy Street.” Once again, Eddy Coppens shows that he can do just about anything on stage.

Poppy as Sandy never missed a line or an entrance.

Technically, spectacular sets moved in and out on rolling platforms without a hitch. Sound is good with only an occasional blip. Spots need sharpening. The recorded music is pleasant, but nothing replaces live music. I would have liked to see Annie’s dress in the final Christmas scene as an exact replica of the comic strip heroine (note photo above), but that is a director’s choice.

The script is definitely outdated. Who the heck is Cordell Hull? Does anyone remember that Harpo Marx is a mute? But, for the kids, who cares? Just to see the youngsters perform in a credible fashion is a treat.

Note: Because of the excellent audition turnout, Artistic Director Darlin Barry chose to double cast all the orphans. The role of Annie is played by Clarissa Moon with a different set of waifs on alternating weekends.

“Annie” now showing in the Sonnentag Theatre at the IceHouse deserves an A grade. It is good entertainment, regardless of your age. The show runs Thursdays-Sundays through December 18. Deaf and Hard-of-Hearing individuals are invited to attend an American Sign Language (ASL) interpreted performance on Saturday, December 3.

Ticket prices are $20, but for youngsters they are discounted for this show to $10 - $15 depending upon age.

Evening performances start at 8 pm except for Thursdays 7:30. Sunday matinees start at 2 pm. Senior tickets for Thursday and Sunday shows are priced at $18. Check the box office for additional dates and times. For further information call 383-4616 or visit their Web Site at www.icehousetheatre.com.

IceHouse Begins Anew as Sonnentag Theatre

2011-11-22T15:48:00.003-05:00

Lobby of the Sonnentag Theatre at the IceHouse
photo provided

Reconstruction of the IceHouse Theatre took longer than expected, and the season opener had to be cancelled. Patrons attending the opening of “Annie” were treated to a brand new look in the lobby, patio, parking and surrounding parking lot. The renovation was well worth the wait.

Entry from either the covered portico or the parking lot is awe inspiring event. Impressive, classy, and elegant are the best descriptions. About 2000 square feet of lobby and refreshment area were added. The parking lot was repaved and landscaping was enhanced.

The auditorium remains the same, but the theatre has been renamed as The Sonnentag Theatre at the IceHouse after the principal benefactors of the project, Carolyn and John Sonnentag. A major contribution was made by Clarence and Christine Kolek.

There is still more to be done at the location. Contributions are being accepted. A favorite is an engraved brick to be placed in the walkway.

Bay Street Rollicks with "Nunsense Jamboree" at State Theatre, Eustis

2011-11-19T12:59:00.003-05:00

From top left: Heather Good, Debbie Sussman, Stephanie Adams, Spencer Folmar, Kelly Coy

As you may remember from “Nunsense,” Sister Amnesia has recovered her memory. Her dream “I Could’ve Gone To Nashville” in the original show is realized as she discovers she has a country singer background. She is now on the road promoting her new album with a back-up crew of three other sisters and a priest in “Nunsense Jamboree” now playing at the State Theatre in Eustis.

The road-team is temporarily stranded at a farm expertly depicted in the set designed by Director David Clevinger. The red farmhouse is complete with four shuttered windows that open and shut on cue. A traditional windmill graces stage left. What happens next is a cross between “Hee Haw” and “Laugh-In.”

Don’t look for a plot. There is none. But that doesn’t stop this very talented cast of delivering 90 minutes of non-stop laughs and songs. Hang onto your seats as for good measure as they bring in audience participation with interviews, an auction, a Patsy Cline sing-along, and miscellaneous repartee.

Stephanie Adams is Sr. Mary Paul-Amnesia, Debbie Sussman is Sr. Mary Wilhelm, Kelly Coy is Sr. Robert Anne (transportation), Heather Good is Sr. Mary Leo, Spencer Folmar is Fr. Virgil Manly Trott, and Deborah J. Carpenter along with Nina Vatter cameo as Sr. Mary Regina and Sr Mary Nina.

Compliments to the cast for mastering the 28 scenes and numbers, many of which are absolutely
nun-sensible.

Music is nicely provided by a three piece band placed upstage center. It never overpowers the singing. Sound is not a problem.

The “Nunsense” series has made playwright Dan Goggin a fortune. The original version has the record for second longest running Off Broadway musical. The series includes “Nunsense 2,” “Nunsense Jamboree,” Meshuggah Nuns,” “Nunsations,” and “Nunset Boulevard.” Spinoffs include “Nunsense A-Men” among others.

This version by the Bay Street Players has a Christmas theme as well as an unforgettable soap-suds finale that makes it a great choice for the Holiday Season.

“Nunsense Jamboree” runs Wednesdays-Sundays through December 11 at the State Theatre in downtown Eustis. Evening performances start at 8 pm, Sunday matinees at 2 pm. Ticket prices are $20, except on Wednesdays-Thursdays when they are $17. Other packages are available. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

"Steel Magnolias" opens at Ocala Civic

2011-11-08T19:34:00.000-05:00

......photo provided

“There is no such thing as natural beauty,” according to Truvy Jones who runs a beauty salon in the small town of Chinquapin, Louisiana. She reserves Saturday mornings for a special clientele who have bonded and shared their joys and travails over the years as presented in “Steel Magnolias” by the Ocala Civic Theatre.

Truvy (Melody Murphy) has issues herself, but not as pressing or interesting as the others. Newly hired shampoo girl Annelle (Carrie Dupere) is shy, mixed up, and is of dubious marital status. Recent widow Clairee (Laurie Lee Reeder) is coming to terms with the death of her wealthy husband. Acerbic spinster Ouiser (Celia Bills) is ever ready to challenge, question, or irritate depending upon her mood or that of her itinerant dog.

The plot focuses in on M’Lynn (Gina Jarrett) and her diabetic daughter Shelby (Joan Elizabeth). The two are not on the best of terms, but preparations for Shelby’s wedding bring them together. Shelby’s doctor warns that having a child might endanger her own health, but she disregards this advice..

The essence of Robert Harling’s popular play is the bonding of women. These women represent the southern magnolia blossoms but also have an inner strength of steel when needed.

Jarrett handled the principal role well. She gave a three handkerchief monologue at the climax of the show that had a lot of eyes watering.

As the rebellious daughter Shelby, Elizabeth has difficulty in mastering this complex role. The conflict between Shelby and her mother is not developed, particularly in her body language. Also the quasi-bonding with Annelle is never realized.

The ensemble work is good, particularly between Bills (Ouiser) and Reeder (Clairee). Dupere as Annelle is a real find and makes an impressive debut on the OCT stage.

Director Chip Morris brings his talent with timing in making the pace right on the money. His choice to go with only a slight southern accent is a good one.

The problems with this play are mainly technical. The set construction is excellent, as expected at OCT, but the decorations did not accentuate the small town southern atmosphere. The wall pictures are distracting and the stuffed couch center stage is not in the style of the time or place. Ouiser’s gardening attire contradicts her age. When hair is being trimmed, the capes should be used.

Most troubling is the sound. Voice projection may sound good in rehearsals, but it is completely different when playing to a full house. Many complaints were heard from gray-haired patrons who missed some of the best laugh lines of the play. It is time for OCT to mike their plays as they do in their musicals to keep audiences coming back.

“Steel Magnolias” at the Ocala Civic Theatre runs Wednesdays-Sundays through November 27. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

CURRENTLY RUNNING/COMMING SOON

2011-11-07T20:50:00.001-05:00

ANNIE
IceHouse
383-4616
http://www.icehousetheatre.com/
Starts Nov 18

"Bad Seed" is step forward for Central Florida College in Ocala

2011-11-05T12:20:00.004-04:00

Elizabeth Underwood and Catalina Mejia Molina
Photo submitted

The Central Florida College theatre program took a major step forward by selecting "Bad Seed" as their opening show of the current season. Professor Rob O'Brien brings together an electic cast to make a very credible presentation of Maxwell Anderson's stage thriller.

Lead roles are shared by Catalina Mejia-Molina who plays the disturbed juvenile Rhonda and Elizabeth Underwood, Rhonda's motfher, Christine. Mejia-Molina is a local high school freshman. Underwood is a first year student at CF. Both are making their debut on the campus stage.

Scenes between Rhonda and janitor Leroy (Larry Hoffman) as well as those of Christine with her father (Michael Shier II) are particularly well done.

Other cast members are Daniel DiCola, Judi Lasaga, Hayden Rackel, Victoria Baird. Shawn Lawrence, Madeline Faulconer, Alexandria Steward, Ezra Fowler III, and Jenna Lolley.

"Bad Seed" runs through Sunday, November 6. Call 352-873-5810 for further information.

Larry Hoffman and Catalina Mejia-Molina

Acres of fun at the Lady of the Lake Renaissance Faire in Tavares

2011-11-04T13:26:00.002-04:00

Here is your chance to step back in time with the 10th annual Lady of the Lake Renaissance Faire. The trip back to the 16th century involves battling knights, faire maidens, and artisans in a recreated European Village just south of Tavares.

The show is making its 10th annual presentation in the area. Entertainment abounds with minstral story tellers to amuse the family, fire-eater to amaze the crowd, and exhibit of falconry, and, of course, knights jousting for the favor of the crowd.

The cast which includes locals as well as touring professionals numbers 70. Vendors featuring blacksmithing, leather work, and pottery have their stalls. Food and drink is available and if you want to peek into the future, fortune tellers are available at a price.

Lake Renissance plays this week only through Sunday November 6. Consult their Web Site at
http://www.medievalfest.com/ for directions, price, and other information.

"CHICAGO" SOLD OUT!

2011-11-03T21:01:00.000-04:00

The last ticket was sold to the Villages Musical Theatre Company's "Chicago" which plays at the 800 seat Savannah Center in the Villages for their run of November 17, 18, 19, 20, Congratulations.

CURRENTLY RUNNING

2011-11-01T14:00:00.000-04:00

STEEL MAGNOLIAS
Ocala Civic Theatre

LITTLE SHOP OF HORRORS
Insomniac Theatre, Ocala

Villages Musical Company opens season with "Chicago" as mid November Show

2011-09-27T15:33:00.004-04:00

Velma (Linda Berthiaume) and Roxie (Nikki Duslak)
photo by Bill Sims

The Villages Musical Company opens its tenth season with the blockbuster “Chicago” on November 17 for four evening performances at the Savannah Center in The Villages. Director Carol Greenfield promises that there will be scads of fishnet stockings, flashy Fosse style dancing, and sultry singing in numbers like All That Jazz, Razzle Dazzle, and When You’re Good to Mama.

Principal cast members are:
                Linda Berthiaume………………. Velma
                Nikki Duslak……………………...Roxie
                Bill Krone…………………………Billy Flynn
                Dawn Gesner……………………. Matron, Mama
                Andy Malinosky…………………. Amos

Murderesses:
               Cathye Leshay
               Sally Spieth
               Sue Schuler
               Carol Putrelo
               Mollie McCarthy

Nikki Duslak (Roxie) is making her debut on the Savannah Theatre stage with the Villages Musical Company. She has had a professional theatrical background before coming to The Villages two years ago. “Talent in The Villages is amazing,” she said. “I’m having a lot of fun as Roxie.”

This uncut version of “Chicago” starring Villages talent is a steal at $16 a ducat and is open to the general public at $21. Tickets went on sale Monday and are available at the Villages Box offices or on the Internet at www.thevillages.net/boxoffice. This show is bound to sell out, so hustle to get your tickets ASAP.

Dark Ages Brew Light Comedy in Bay Street Second Stage Series

2011-09-27T15:32:00.001-04:00

Photo provided by Joel Warren/Bay St. Players

The ‘Dark Ages’ (500-1300 a.d.) have not been very funny--until now. To show there can be humor in most anything, The Bay Street Players presents “Incorruptible” as an antidote for the ‘era of despair’ as the season opener of their Second Stage series, The Bay Street Project.

The Priseaux Monastery in France believes that they have cornered the market on the bones of St. Foy, a thirteen-year-old martyr. Peasants to Kings have sworn to miracles witnessed in the relics’ presence. All come to pray and contribute offerings. Everything is good.

Good, until a neighboring abbey claims that they have St. Foy’s real bones. The struggle for religious following (and money) hangs in the balance.

Wandering one-eyed minstrel (Brian Flaherty) has the answer. He suggests disinterring the dead from the monastery cemetery and passing the bones off as actual relics to other abbeys. It works, and Priseaux becomes the Amazon.com of the body parts cult.

Word reaches The Holy See. He wishes to visit Priseaux and puts his order in for an “incorruptible,” a saint’s body part that does not decay. The monks pray that he will settle for a simple miracle.

Casting with local talent is no problem. The veteran performers are Patrick Ward, Rick Paulin, Liz Curtis, Ethan Earls, James Canavan, Chasteen Mullins, and Charlotte Jardine.

The script is good, actors are good, voice projection is excellent, but their timing is not and many of the funny lines or moments fall well short of their mark. But hats off to Mullins. She exhibits absolutely no fear of claustrophobia. Also to Curtis for staying totally in character throughout the play.

“Incorruptible” directed by Joel Warren plays for two more Sundays: October 2 and 9. Curtain is at 7:30. Ticket prices are a bargain $10. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

"Cabaret" Musical is a Melon Patch Best

2011-09-24T15:20:00.005-04:00

Cliff (Dustin Lavine) and Sally (Kelly Zipperer) make a connection at the Kit Kat Klub

The show starts in the lobby. Scantily clad girls in fishnet stockings sport their wares. They taunt and tempt the patrons to enter the Kit Kat Klub featured in the musical “Cabaret,” the season opener at the Melon Patch Theatre in Leesburg.

Action on stage is set in 1929. Fledgling American writer, Cliff Bradshaw (Dustin Lavine), is headed for Berlin, the international gathering point for artists, expatriates, and the disillusioned. Fate draws him to the Kit Kat Klub where everyone is greeted by Emcee (Joshua Eads-Brown) with “Willkommen,” a song flavored with innuendoes in German, French, and English. Cliff meets cabaret star Sally Bowes (Kelly Zipperer), a British transplant who flaunts her carefree life style. She moves in with him at the rooming house of Fraulein Schneider (Laney Lavine) the very next day.

The ebullient atmosphere is overshadowed by the rise of the Nazi party. Sure to be a victim is Herr Schultz (J. Scott Berry), Fraulein Schneider’s Jewish sweetheart who owns a fruit store. Berry is an example of near perfect physical casting for the jittering merchant. Lavine may not have an impressive singing voice, but she can really ‘sell a song’ as she does with “What Would You Do?” Songs and scenes with Berry are comically touching.

Cliff foresees the impending Nazi takeover and wants Sally to return to America with him. Sally, now pregnant, wants to stay and opts for an abortion. She bares her soul in the signature song “Cabaret.”

Zipperer is on the cusp of being a great theatrical performer. Strikingly beautiful, she masters articulation, elocution, and expression. While now perfect for an ingénue assignment, the role of the street-wise Sally is a bit of a stretch. Things that might have helped, like microphones or high heel shoes are missing.

Dustin Lavine is making his debut at The Patch and brings a strong, clear acting and singing voice to the role of Cliff.

Fresh off notoriety for his standout role in “Chicago” at the Orlando Theatre Downtown, Edas-Brown brings to the stage an all-out, ‘in your face’ interpretation of the Emcee at the Kit Kat Klub. Josh gives it his all in a performance that is the salt and pepper for the excellent repast prepared by Director John Turcotte. For pure laughs, you cannot beat Josh along with Kit Kat Girls Robyn Sennott and Jenny Durfey for stereotypical German humor in the musical number “Two Ladies.”

Other cast members are Michael Winternheimer, Liz Collado, David Donald, Kenyatta Edwards, Nikki Sprague, Alissa Vegg, Allan Terry, Steven Henderson, Gabrielle McDonnell and a special tip of the hat to Tucker Bordenkircher.

A top-notch show, “Cabaret” is a fine way to kick off the season at the Melon Patch. This is the best musical produced by The Patch in a long, long time. Don’t miss it.

“Cabaret” runs Fridays-Sundays through October 9. . Prices are $15. Evening show times are 8 pm. Sunday matinees are at 2 pm. For reservations or further information call 787-3013 or visit the Web Site at www.melon-patch-players.com

DÉJÀ VU

John Turcotte directed “Cabaret” in 2001 at the Melon Patch. I reviewed that show noting that I feared Josh Edas would be too young for the part of the Emcee. “It took only four seconds to completely dispel any misgivings,” I wrote at that time.

Edas is not the only actor making a return performance. Winternheimer repeats and Jenny Durfey reprises as a Kit Kat Girl (Wow!). Back stage are former Kit Kat Girl Jennifer Fink, Sally Gage (Choreographer), Jolene Sheets, Linda Charlton, and Pauline Judge.

In the audience on opening night were Gail Baumann who played Fraulein Schneider and Hank DeLorme who played Herr Shultz in the 2001 show.

"Dracula" is Bloody Good at Bay Street

2011-09-20T21:15:00.003-04:00

Photos by Terry Hauss

The English weather and countryside are dreary enough. To go a step or two beyond Agatha Christie and Conan Doyle, just add Dr. Seward’s Sanatorium for the mentally ill where he lives with his daughter, and you have a gothic thriller in, “Dracula,” the season opener for the Bay Street Players in Eustis.

Seward (Ken Peterson) is concerned for the health of his daughter Lucy (Alya Parsons) who has drifted into an unexplainable malaise. He has sent for Europe’s most prestigious psychiatrist Dr. Van Helsing (Brendon Rogers) for help. Van Helsing suspects Lucy has been taken under the spell of Count Dracula (David Coalter) who has recently moved into the adjoining estate. He suggests to Seward that the Count may be the storied vampire from Transylvania.

Everyone knows the 1897 story by Brian Stoker which has been retold in countless movies and plays, the most famous of which is the 1931 movie starring Bela Lugosi. The version at Bay Street has Van Helsing bringing a handbag full of crosses and sprigs of vervain and a wooden stake to thwart and defeat the suspected vampire. His efforts are unwittingly aided by the deranged inmate Renfield (Ashley Richards) who has a penchant of escaping the confinement of his room. Do not let Renfield’s fascination with eating flies and spiders bother you.

Casting elevates the Bay Street show a clear cut above other “Dracula” offerings. Led by Rogers, the ensemble action with Peterson and Richards shows a seamless flow of motion seldom seen in community theatre. Scenes with Rogers and Richards are particularly riveting and take the audience to the ‘suspension of disbelief.’

Coalter makes his debut at Bay Street, but it is obvious that he brings along cart full of talent and experience. His soaring height could be a deficit for certain roles, but is a great fit for foreboding Count Dracula.

Also making her Bay Street debut is Parsons who plays the beautiful, fragile Lucy. She handles with ease Lucy’s change of character induced by the Count at the end of the play. Erich Dahne has the privilege of portraying Lucy’s fiancé. James Simpson as Butterworth, the orderly, and Shelby Frasier as Miss Wells, the maid, handle their roles well and nicely take on the play’s only touch of humor.

The set is magnificent. Tudor motif decorated with walrus tusks, and a giant vase, and an ostentatiously large sofa is remarkable. The sliding doors center stage worked without hesitation.

Technically, everything worked. The illusions of the Count’s appearances and disappearances were of near professional quality. Lighting and the fog machine enhanced the mood on cue. Note that not all the flying bats and mice are just inanimate props.

Renfield (Ashley Richards) Van Helsing (Brendon Rogers)

Although most of the cast had microphones, there were problems of level that need to be fine tuned.

“Dracula” directed by David Clevinger is a fiendishly good, well performed show. It runs Wednesday-Sunday through October 9 at the State Theatre in Eustis. Evening performances start at 8 pm, Sunday matinees at 2 pm. Ticket prices are $20, except on Wednesday-Thursdays when they are $17. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

Nice Gathering is Family Comedy

2011-09-14T19:16:00.052-04:00

Cast of "A Nice Family Gathering"

Stand by for some good old fashioned fun. A down to earth comedy with a ghost, “A Nice Family Gathering” being presented by The Villages Theatre Company is bound to be a pleasure. This play by Phil Olson is making its premier showing in North Central Florida,

It’s the first Thanksgiving dinner at the Lundeem household since Dad died. Dad returns as a ghost with the mission to tell his wife of 35 years that he loved her---something he neglected during his lifetime. Dad, who can only be seen by younger son Carl, finds out there are other issues he must attend to. The fun really starts when he discovers that Mom has a date for the afternoon, and the date is his former golfing buddy.

Dad disapproves of Mom's date.

Cast members are Villagers :

    Ken Hoffmann, Dad
     Gail Baumann, Mom
     Otto Canis, Carl
     Vince Maury, Jerry
     Duane Hess, Michael
     Linda Siedle, Jill
     Joyce Schenk, Stacy
     Joanne Sowell, neighbor

The show is directed by Sandi Hawthorne and is performed at the Mulberry Recreation Center in The Villages and is open to the public. Performance dates are October 14, 15, 16 at 7 pm. Ticket prices are $14 and can be purchased at www.thevillages.net/box.office or at the door just before the performance.

This is a preview feature.

Conflicts Make Comedy at The Hipp

2011-09-13T19:23:00.003-04:00

A Review by Guest Columnist Don Simson

Another “Hip” play from The Hipp in their production of “God of Carnage” by Yasminia Reza (Art) showing until Sept 25th at the Hippodrome State Theatre in Gainesville.

The play opens in a Brooklyn apartment with two couples meeting to discuss an altercation between their two sons on the playground. Apparently Benjamin Raleigh, the son of Alan (Tim Altmeyer*) and Annette (Kim Mead) struck Henry Novack, son of Michael (Benjamin Burdick*) and Veronica (Jesica Ires Morris*) with a stick that chipped his teeth. The parents get together to “discuss this rationally” and settle the problems between the boys.

Alan is a high priced lawyer for a pharmaceutical company whose constant phone “crises” interrup the discussion. Veronica, a writer with extensive socialistic ideas of how people in a civilized nation should conduct themselves, leads the “Proposal” for settlement. At the start the women almost emasculate the men who either have to agree or are totally oblivious to the situation. To them it is “no big deal;” just a couple of kids in a playground tussle. The hilarity starts when the men start to exercise their manly rights.

Rationality deteriorates to where the men are considered “Neanderthals” and the women are the “Peacemakers.” One thing leads to another and you have a “four way Bickerson’s situation.” The drinks come out and everything escalates (or deescalates).

The four actors are perfectly cast players transforming themselves as they morph into their characters. The fast paced dialogue and action keeps the audience guessing “Who’s on first” insofar as what solution can be reached. Can the adults work something out, or should they just leave it up to the kids? The hilarity keeps the audience laughing from the start to finish with the one liners. The timing, movement around the stage, set, lighting, and props are outstanding.

“God of Carnage” is great study into human reactions about families wanting to protect their own children. This is a definite must see and hats off to a fine director Mary Hausch.

Adult Language

Meeting in St. Louis occurs at Show Palace Dinner Theatre in Hudson

2011-09-13T13:34:00.000-04:00

Photo by Scott Daniel

It's 1903 and the Smith family is excited about the upcoming Louisiana Purchase Exposition, better known as the St. Louis Worlds Fair scheduled to open in the upcoming spring. The only problem is that the patriarch of the family has just been offered a prestigious promotion at his company's office in New York. Will he accept the offer and move the family before the fair begins. If he does he will dash the hopes of his eight children to have a once-in-a-lifetime experience. The story is told in the musical "Meet Me in St. Louis" which opens September 30 at the Show Palace Dinner Theatre in Hudson.

Costumes and music are the defining features of this show. Tunes you will remember are Meet Me in St. Louis,The Boy Next Door, and The Trolley Song.

This musical based on the 1944 movie starring Judy Garland and Margaret O'Brien is truly family fare.

"Meet Me in St. Louis" runs till November 19 at the Show Palace Dinner Theatre in Hudson. Matinees are Wednesdays, Thursdays, Saturdays with a brunch show Sundays. Evening performances are Fridays and Saturdays. Ticket prices for show and dinner are $48 plus tax. Check AAA and other tour agencies for the best bargains on all-inclusive tours packages. Group discounts are available. For reservations or further information call 888-655-7459 or visit their Web Site at www.showpalace.net.

NOTES!!!

2011-09-12T14:07:00.003-04:00

New Theatre in Ocala

The Insomniac Theatre opened this summer with “4 Plays” and “Shadowcast.” Auditions were held September 12, 13 for “Little Shop of Horrors.” But, it may not be too late if you call 352-897-0477.

Production dates: Oct 28 – Nov 12.
Other Shows:

6 Degrees (a new play) Sep 22- Oct 2

Also check their Web Site:
http://www.insomniactheatre.com/

I will be covering at least one of their shows this season and will post an update about the theatre.

OLYMPIA DUKAKIS

By special arrangement, The College of Central Florida, Ocala, is presenting Academy Award Winner Olympia Dukakis in a one-woman show for two performances only: September 24, 7:30 pm, and September 25 at 3 pm. She will enact “Rose” a reminiscence of a Jewish woman’s life from 1939 to the present. Ticket prices are . Call 352-873 5810 between 1 – 4 pm for other information.

One Hundred Plays

The list of 100 plays in North Central Florida grows. Tap on One Hundred Plays on right column.

"Chicago" Starts Season At Ocala Civic

2011-09-10T18:09:00.006-04:00

Roxie Hart (Jessica Morin) and Velma Kelly (Heather Gifford)

Murder, mayhem, sex, and corruption always make a good story. Just notice how heads turn toward the tabloids stacked along side the grocery store checkout lines. Add music, dancing, classy singing and you have a stellar production of the musical “Chicago” that opens the season at the Ocala Civic Theatre for a mere pittance of what it would cost you to see a comparable show on Broadway.

Velma Kelly (Heather Gifford) and Roxie Hart (Jessica Morin) both are in prison awaiting trials for murder under salacious circumstances. It’s 1924 and brazenly, the two become celebrities in the era of bathtub gin, drugs, and the ‘Charleston.’ Oleaginous lawyer Billy Flynn (Daniel Link), who has never lost a case, promises to get them off for a measly $5,000 ($100,000 today). After all, he’s going to make the juries believe that: ‘They Had To Do It.’

When it comes to talent Gifford and Morin can turn it on and leave little on the table. Both are excellent choices for the lead roles which are triple challenges of acting, singing, and dancing. Morin brings a touch of impishness to the role that is a delight. Gifford is equally impressive but sports a higher kick.

Link gives a standout performance as Flynn. He had all the right moves needed to reinforce the character of the sleazebag lawyer. A fine, clear singing voice tops off his act. A showcase comic scene is where he puppeteers Roxie during her testimony.

‘All That Jazz’ is the kickoff number that sets the tone of the show. The chorus performs well but more of the Bob Fosse type moves are needed. The ‘Tap Dance’ number begs for a quieter, soft shoe tap routine so as not to block out the singing.

Joel Brahim plays Amos Hart, Roxie’s clueless husband correctly, but his signature song ‘Mr. Cellophane’ comes off as a bit clownish rather than hapless robbing him of the sympathy Amos deserves.

As expected at Ocala Civic, the set design and construction exceeded expectations. Music is provided by a band on a loft that never drowns out the singing. A thrust semi-circle with sliding doors allows props to be moved in and out for scene changes. All went smoothly, despite being noisy at times.

Sound is excellent as all principals are on microphone. Headsets are available, if needed by a patron. Seated in the last row of the 400 seat theatre, the sound was not a problem.

Guest Director-Choreographer Myles Thoroughgood has an extensive list of credentials ranging from work in Orlando to Atlantic City. At OCT last season he held the reins on the successful production of “The Full Monty.”

At least a dozen Villagers were in the audience on opening night. Bill Lowenberg endorsed the show with a broad smile. “I liked it!” he declared with enthusiasm.

“Chicago” started out as a play written in 1926 by reporter Maurine Watkins who covered murder trials. (Mary Sunshine?) The musical opened in 1975 featuring Fosse’s choreography. Jerry Orbach played Flynn. The revival in 1996 set Broadway records and the 2002 cinematic version won the Academy Award for Best Picture.

Ocala Civic Theatre brings “Chicago” to Central Florida with a razzle-dazzle slant that you do not want to miss. The show runs Wednesdays-Sundays through October 2. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

LIST OF 100 PLAYS FOR THE SEASON

2011-08-26T13:36:00.010-04:00

Below are shows for September
For the complete list for the season, click on

One Hundred Shows (in orange color) on right column

AVENUE Q

Theatre Downtown
Orlando

Musical satarizing anxieties associated with entering adulthood. Performed as puppets in Sesame Street Genre.

GOD OF CARNAGE

Hippodrome Theatre Gainesville

A comedy by the award-winning playwright of Art and Life x3. The scene is an upscale New York City apartment where two sets of sophisticated, educated parents arrange a meeting to discuss the playground antics of their 11-year-old sons. What starts out as a calm and reasonable meeting of the minds turns into a hysterically revealing night of name-calling, tantrums and tears.

HUNTER GATHERERS

Acrosstown Repetory Theatre

Gainesville
Sept 16

Two married couples meet for dinner. Things turn bad as egos get bruised. Adult.

IMPORTANCE OF BEING EARNEST

Shakespeare-Orlando
Sept 16

Classic Oscar Wilde comedy of manners.

BREAKING LEGS

IceHouse Theatre

CANCELLED DUE TO CONSTRUCTION
Is rescheduled for the spring of 2012.

DRACULA

Bay Street Players, Eustis
Sep 16

Europe's premier vampire.

Auditions/ Other News

2011-08-26T12:51:00.008-04:00

AUDITIONS

HELLO DOLLY!

Villages Musical Company
Sep 19, 23, 26, 30
Production dates: April 23-26 2012

Auditions for Hello Dolly! will be held on Mondays, September 19th and 26th, 7:00 PM but at the Sterling Heights Recreation Center, and also on Fridays September 23rd and 30th, 9:00 AM at the Canal Street Recreation Center. E-mail jrbeddia@yahoo.com for further information.

STEEL MAGNOLIAS

Ocala Civic
Sep 18, 20
Production Dates Nov 3 - 27

NUNSENSE COUNTRY WESTERN

Bay Street
Sep 19, 20 7:30 pm
Production Dates: Nov 18 - Dec 10

WHITE CHRISTMAS, the Musical

Melon Patch Theatre
September 25 & 26, 2011 at 7:00pm
Production dates: Dec 2 -18

NINE

Moonlight Players
Oct 9, 10

Production Dates: Jan 13 - Feb 12

SQUABBLES

Villages Theatre Company
Oct 24, 25
11 am
Mulberry Rec Center
The Villages
Production Dates Feb 17 - 20

OTHER NEWS

IceHouse Theatre is undergoing extensive external renouvation which has caused the season opener "Breaking Legs" to be cancelled.. The show is rescheduled for the May 4. The season will begin with "Annie" scheduled for November 18. For further details visit http://www.icehousetheatre.com/.

AACT Adjudication Workshop

2011-08-25T15:44:00.001-04:00

Adjudicator: Webster’s New World Dictionary: “One who hears and decides.”

Theatrical adjudication is much more than that. The American Association of Community Theatres requires that adjudicators in their festivals have broad credentials in several aspects of theatre and, above all else, the ability to feed back their evaluation of theatrical productions in a positive, encouraging manner.
This year thirteen AACT members signed on for a six-day workshop in adjudication during the 2011 convention in Rochester, New York. It was taught by Ron Cameron-Lewis, noted adjudicator in both Canada and the USA. The class is only offered every three to five years.

In the AACT competition finals, each regional winner presents a one-hour ‘cut’ from their show’s script which are evaluated by two official adjudicators. The class attended each of these. The students orally presented privately either in a six minute evaluation or a two minute commentary on the current class topic. We witnessed the official adjudicators’ comments only once.

The course offers the criteria for adjudicators: *

1. Is the acting believable and technically skillful with effective timing?
2. Are the characters well interpreted?
3. Does the company display ensemble work?
4. Is the material appropriate for the company?
5. Is the concept appropriate for the material and realized by the company?
6. Has the structure of the production been controlled?
7. Are the movements and stage pictures effective?
8. Is the production well paced?
9. Do the technical elements support the overall production?
10. How was the total impact?

Much of the classroom effort and exercises were spent on the oral presentation of the adjudicator’s thoughts and conclusions. Things like: never use I, never make a reference to another production of the same material, begin and end on a positive note, were stressed and practiced.

When competition winners are to be selected by the adjudicators, there is no formula, no mathematical ranking. Here it becomes more of an overall opinion backed by notes taken during the various presentations. Critiquing and adjudication merge at this point.

I plan to apprentice myself to an established adjudicator who covers northern Florida before I submit my resume with AACT for a possible assignment.

*from “Do you see what I see?” How to adjudicate Theatre Festivals, by Annette G. Procunier (Recommended reference for the class.)

Magnolias Blossom at Show Palace

2011-08-24T12:45:00.000-04:00

photo by Scott Daniel

Truvy Jones runs a beauty salon in the small town of Chinquiapin, Louisiana. Her motto is “There is no such thing as natural beauty.” She reserves Saturday morning for special clientele where women can really let their hair down. She fixes their hair to get some of that beauty, but in reality her comb works it way through their souls in “Steel Magnolias” presently running at the Show Palace Dinner Theatre in Hudson.

“Steel Magnolias” opened off-Broadway in 1987 and has become the darling of regional and community theatres. The movie starring Julia Roberts, Sally Fields, and Shirley McClain gave the show an additional boost in popularity.

The drama-comedy runs through September 25. For information on your club or group discounts, reservations or individual tickets call 888-655-7459 or visit their Web Site at www.showpalace.net.

Summer Shows Sizzle

2011-07-04T14:32:00.001-04:00

LITTLE SHOP OF HORRORS

This popular musical at the Show Palace Dinner Theatre in Hudson features a nebbish flower shop clerk who developes an unusual plant. He names it Audrey II after his love interest. The part of the villianous dentist Orin is a made-for character played by veteran Matt McGee. The show runs through July 17.

THOROUGHLY MODERN MILLIE

It's 1922 and Millie decides to 'marry the boss's son' in a frollicking musical about the roraring twenties. Love doesn't matter....or does it? The musical is performed by the Bay Street Players of Eustis and runs through July 31.

COMING SOON

2011-07-03T15:00:00.005-04:00

ALWAYS PATSY CLINE

The IceHouse Theatre reprises the revue "Always Patsy Cline" for a limited engagement only six performances July 14 - 17. Twenty seven of her favorites are presented by Darlin Barry and Vanessa Sotomayor.

PLAZA SUITE

Neil Simon's first in his Suite Series takes place in New York opens on July 29 at the Melon Patch Theatre in Leesburg. A cheating husband, a slick movie producer, and a frustrated couple facing the ultimate test as parents of the bride make for a lot of laughs in this three part play. Cast includes:

Ken Hoffmann
Barbara Lorio
J. T. Chinn
Robyn Sennott
Ken Zacharias
Laney Lavine
Gabrielle McDonnell
  David Donald
Tucker Bordenkircher
Kathy Conway
Steve Henderson

The production is directed by Ken and Cadroline Hoffmann.

A NICE FAMILY GATHERING

A comedy presented by The Villages Theatre Company tells of a man who dies regretting he has not told his wife how much he loves her. His ghost returns to a family Thanksgiving to rectify this omission. The wife turns up with a date! The cast includes:

  Ken Hoffman
Gail Baumann
Otto Canis
Duane Hess
Joyce Scheck
Linda Siedle
Joanne Sowell
Vince Maury

The show which runs October 14, 15, 16 at the Mulberry Recreation Center in The Villages is directed by Sandie Hawthorne.

HAIR SPRAY

This musical is being showcased at by Orlando Rep. Company in Loch Haven complex in Orlando and headlines local starlet Genna Kanago . The show is runs July 22- 31. For further information visit http://www.orlandorep.com/.             .

AUDITIONS

2011-07-02T16:02:00.002-04:00

"42nd Street" auditions for the upcoming musical being produced by KC Productions will be held Auditions are scheduled from 9:00 to 12:00 at Sea Breeze Recreation Center on Monday, August 22 and 29, and from 1:00 to 5:00 p.m. at Canal Street Recreation Center on Tuesday, August 23 and 30. If needed, call backs will be schedule from 1:00 to 3:00 p.m. on Friday, September 2, at Laurel Manor.

Show is scheduled for five days March 13, 14, 15, 17 18 at the Savannah Center in The Villages

I'VE BEEN AWAY!

2011-07-01T16:04:00.000-04:00

Just in case you wondered where is the latest edition of Jackstheatre, I've been in Rochester, New York, attending the American Association of Community Theatre's bi-annual Festival. In addition to a full schedule of workshops, ten performances of the winners in each of the AACT's regional competitions presented a one hour cut (approved by the playwrights) for a chance to represent the USA at the international competition to be held at Monte Carlo.

I attended a six day Adjudication Workshop along with 12 other 'students.' Next Issue I will be covering the difference between Critiquing and Adjudication.

"King and I" has Broadway Touch at OCT

2011-05-24T20:31:00.001-04:00

The Ocala Civic Theatre made a smart move getting Greg Thompson to take charge of their production of “The King and I.” After all, the Guest Director/Choreographer was an ensemble member of the 1985 Broadway revival of the show that originally starred Yul Brynner and Gertrude Lawrence. He uses that exposure plus years of theatrical experience to make this show arguably the best musical of the season.

The musical based on the novel Anna and the King of Siam follows the travails of an English schoolteacher summoned by the King of Siam in the early 1860’s to educate his children and his court. The King desperately wants to bring his country in step with the nineteenth century while still maintaining a firm grip on his domain.

John Sherman (The King) plays his role with courage as the King who struggles between being a stern, unyielding ruler and a compassionate, thoughtful regent. Anna Leonowens (the real-life name of the heroine) is played well by Jessica Morin. Both are OCT stage veterans.

Taking on the most musical numbers is Lynda Marie Fagan as Lady Thiang, the King’s top wife. Her delivery is excellent and she maintains her accent steadily throughout each song.

Top overall honors belong to young Victoria Sexton as Tuptim. Her nymph-like interpretation of the King’s newest acquisition is superb. “We Kiss in the Shadows” duo with Alex Feliciano (Lun Tha) is touching.

Sexton also shines as narrator in the Siamese version of “Uncle Tom’s Cabin” which they call “The Small House of Uncle Thomas.” The accompanying ballet by the ensemble is the highlight of the show. You will remember this sequence.

The score by Rogers and Hammerstein includes I Whistle a Happy Tune, Hello Young Lovers, Something Wonderful, and the climactic Shall We Dance? Any one of these favorites will have you humming a tune on the drive home.

It is the pageantry that takes this musical to the Must See level. The multi-colored costumes are spectacular as they are paraded before a magnificent stream of curtains draped across the stage as only Ocala Civic is able to do.

A director's choice was to keep the furnishings to a minimum. This does lead to some ‘puzzlement’ as to where the action is taking place: in the palace, or the corridor, or Ann’s cottage, ‘etcetera, etcetera, etcetera.’

The orchestra is presented upstage at the opening, then scrimed from view thereafter. This leaves an extra 9 or so feet to bring the action nearer the audience. Sound is excellent and microphones are used on all principals.

“The King and I” is as close to Broadway caliber as it gets. The musical runs Wednesdays-Sundays through June 12. Ticket prices are at a non-Broadway tag of only $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

"King and I" Trivia

2011-05-23T20:36:00.001-04:00

Anna Harriette Leonowens was the English teacher who spent six years as governess in the Siamese court starting in 1862. Her memoirs are the basis for the 1944 novel “Anna and the King of Siam” by Margaret Landon.

The King’s name was Mongkut also known as Rama IV.

A movie of “Anna and the King of Siam” was made in 1946 and starred Irene Dunne and Rex Harrison.

Yule Brynner won a Tony Award for the Rogers and Hammerstein musical “The King and I” which opened on Broadway in 1951.

Yule Brynner won an Oscar for his role in the 1956 movie of the musical “The King and I.” Deborah Kerr played Anna.

Siam was the only South East Asia nation which was never invaded or controlled (protectorate) by another nation.

TERRENCE SHANK to make appearance at Bay Street in "Visiting Mr. Green"

2011-05-21T09:59:00.001-04:00

Former Artistic Director at the IceHouse in Mount Dora, Terrence Shank is returning from South Africa to make a stage appearance at the State Theatre in Eustis where the Bay Street Players will be performing “Visiting Mr. Green.” He will be co-starring with Joel Warren.

Warren portrays a aggressive young driver who has a brush with an elderly man. He is arrested and the judge edicts that he must spend a weekly visit with his victim as part of his sentence.

Show dates are May 26 -29. This is sure to be a sell out so put your reservations in now!

Call 357-7777 for further information and tickets. Ticket prices are $10 for these four performances.

Villager Gail Baumann and Terrence Shank (in make-up) opening night "Visiting Mr. Green"

Show Palace takes Time Warp to 1940's

2011-05-20T09:55:00.001-04:00

..................................photos by Christine Jarque

Every so often it is good to look back to simpler times. The Show Palace Dinner Theatre in Hudson does just that in its original musical revue “Sentimental Journey” tracing the 1940 WWII years in an outpouring of song and dance.

The songs not only set the tone of the times, but also jog the personal memories. W. C. Green leads the way with renditions of Sinatra favorites. You will remember Green from his recent standout performance as Curley in “Oklahoma” at the Show Palace. Carrying the tunes on the distaff side are Meghan Moroney, Laura Hodos, and Megan Wheeler. They have outstanding individual voices. Harmonizing in Andrews Sisters style is a little more difficult, but they show they can pull it off in “Don’t Sit Under The Apple Tree” and “Kalamazoo.”

Dancing is where this revue really shines. Five couples put on a show of a lifetime. Their routines in the jitterbug are mind-blasting and performed with incredible energy. Hats off to this ensemble and to Choreographer Andi Sperduti for making everything happen.

Set design is excellent. Costuming is ‘in the groove’ using trench coats and suspenders for the men and a myriad of period related halter tops and skirts for the women.

“Sentimental Journey” is a revue. While there are visual and musical vignettes, not a single word is spoken in dialogue. It is a pleasant series of musical reminders of how great this country is when it has a singularity of purpose. Also, it is a treat to hear songs where the lyrics make sense!

This Show Palace Dinner Theatre revue runs through June 5. Matinees are Wednesdays, Thursdays, Saturdays with a brunch show Sundays. Evening performances are Fridays and Saturdays. Ticket prices for show and dinner are $48 plus tax. Check AAA and other tour agencies for the best bargains on all-inclusive tours packages. Group discounts are available. For reservations, exact times, and further information call 888-655-7459 or visit their Web Site at www.showpalace.net.

AUDITIONS

2011-05-18T10:04:00.001-04:00

PLAZA SUITE
Melon Patch

Directed By: Ken & Caroline Hoffman

Auditions: June 5 & 6 @ 7:00pm

Show Dates: July 29- Aug.14

Call: 787-3013

"Joseph..." is a dream at the Melon Patch Theatre in Leesburg

2011-05-16T11:01:00.002-04:00

The story is clear says Narrator Lizdel Collado. Jacob has twelve sons. Son Joseph can do no wrong and he is an astute interpreter of dreams. He becomes Jacob’s favorite and Jacob bestows a resplendent robe on Joseph to set him apart from his bland siblings. In a collective rage of jealousy, the brothers sell Joseph into slavery and claim that he was lost to the desert animals.

For confirmation, check out Genesis 35-47 in the Old Testament. Or even better, buy a ticket to see the Musical “Joseph and the Amazing Technicolor Dreamcoat” now playing at the Melon Patch Theatre in Leesburg.

Dan Wilson takes on the role of Joseph. He has the youth, voice, personal charm to stake a clear claim for this part.

Andrew Lloyd Webber and Tim Rice wrote “Joseph…” in 1969 for a London boy’s school as a cantata, a short story told only by songs through a narrator. Everything is light hearted, tongue-in-cheek, and upbeat. Therefore, the tunes that tell the story run from standards, rhythm and blues, calypso, country western, to funky. All this directly puts the pressure on the brothers to sell the show.

The brothers do well. They get into the rhythm of the frolic with “One More Angel in Heaven” and get better as the show progresses. There are some standout new performers in the bunch, but also some are too timid. Get these few in line to have fun in their parts and the brothers can be the A team of the show.

As the story progresses, Joseph makes it to the top as an advisor to the Pharaoh (Joe Holtzer). As the Pharaoh/Presley (note the same initials) he is very convincing.

Set backdrops are excellent. Lighting has no dark spots. Costuming is good, but I swear Wilson was wearing his PJ’s in the opening scenes. Collado as the narrator is everyone’s dream vocal performer, but lacks the theatrical stage experience to clearly deliver all the words. That won’t be true a year from now as she gets more stage experience. This is one time MP could help with a lapel mike. One of the brothers sports black lip liner. I recognize that each of the brothers should have their own character, but this bit becomes distracting.

Villager Jim Beddia aptly fills in several cameo roles while Villager Pauline Judge is busy backstage pushing props.

“Joseph…” is a perfect selection for community theatre. It is a wonderful experience to see youngsters like Kasea Seabrook, Kelly Zipperer, the Menke brothers grow theatrically at the Melon Patch. Also keep your eye on elementary school kids Michael and Gabrielle Soto who are chorus standouts in their first performance at The Patch.

Director Winternheimer has turned out a winner in “Joseph…” Don’t miss this show that is brimming with energy. You won’t be disappointed.

“Joseph and the Amazing Technicolor Dreamcoat” plays at the Melon Patch Theatre in Leesburg through May 29. Prices are $15. Evening show times are 8 pm. Sunday matinees are at 2 pm. NOTE: the last Saturday performance, will be a matinee. For reservations or further information call 787-3013 or visit the Web Site at www.melonpatch.org.

Sophisticated A. R. Gurney Play Opens at IceHouse in Mount Dora

2011-05-08T18:15:00.001-04:00

John Lampson (Austin), Joan Nelson (Sally), Susan Mulholland (Ruth)
Photo by Scott Hodges

As people grow older they often regret the things they did not do much more than the things they did do. Thirty years ago Ruth (Susan Mulholland) met Austin (John Lampson) met on the Isle of Capri in the Mediterranean. He was a young naval officer. She was a college student. While the sparks of a relationship were there, the flame never burst forth. They both get a second chance in “Later Life” now playing at the Icehouse Theatre in Mount Dora.

The scene is the balcony of a upscale condominium in Boston that overlooks the harbor. A cocktail party inside is underway. Austin is a banker, divorced, children grown, dressed in a business suit for this informal event. Ruth is the aggressor in this duo. She is on her fourth marriage (one husband twice) and is contemplating divorce again. Attractive and charming, Ruth does her best to rekindle the relationship.

To add some comedy and keep the chit-chat from becoming boring, author A. R. Gurney adds ten characters who pass in and through. Rick Breeze, Scott Hodges, Marylin McGinnis, and Joan Nelson divide up the parts.

Lampson has the toughest role. The anxiety ridden, uptight banker is challenging assignment. Somewhere along the line the chemistry between Austin and Ruth needs to erupt. It does not seem to happen.

The part of Ruth seems to have been written for Mulholland. She is smart, sophisticated, and captivating. Watch how she moves as she gives a hint of the sexuality of a much younger woman.

In the supporting roles, Hodges gets top accolades. While all do their parts well, Hodges seems to handle the transitions with remarkable ease and dexterity.

Director Darlin Barry makes two good choices to have this play shimmer. First is to split the supporting roles between four actors rather than the usual two. (I would have been tempted to have the ten minor roles played individually.) Second is to add an intermission in this usually presented one-act play.

Technically there are some problems. Background music becomes distracting when the doors are closed.. The hallway chandelier is directly in line with the actors’ heads as viewed from audience left. It needs to be on ‘very dim.’ Blocking of Austin is static. The backdrop is confusing as it seems to be split..

Projection and diction are excellent. Some electronic amplification is used.

Gurney’s play is a sophisticated work much in the style of Noel Coward. This one leaves the audience with a question mark ending.

“Later Life” at the IceHouse Theatre in Mount Dora runs through May 29. Ticket prices are $20. Evening performances start at 8 pm except for Thursdays 7:30. Sunday matinees start at 2 pm. Senior tickets for Thursday and Sunday shows are priced at $18. For further information call 383-4616 or visit their Web Site at www.icehousetheatre.com.

SIMPLE LOVE STORY IS “FANTASTICKS” BY MOONLIGHT PLAYERS OF CLERMONT

2011-05-02T16:25:00.002-04:00

Give me a play with a small cast, a simple set with no scene changes, some singing and dancing, and enough romance and comedy to make it interesting and you have the perfect formula for success. And that’s just what you have with the "Fantasticks," Off-Broadway’s most successful musical, as produced by the Moonlight Players of Clermont.

Neighbors Bellomy (Andre Provencher) and Hucklebee (Derek Friend) are friendly competitive gardeners. Bellomy favors watering, while Hucklebee advocates trimming. Both want their respective children, Luisa (Sami Cunningham) and Matt (Joey Sikkema) to someday wed. However, they reason that if they prompted them, they would rebel. So the fathers decide to build a wall between their homes. Seeing the divider, the teenagers will then defy their parents. The reverse psychology works!

The young Cunningham is delightfully ingenuous. She has a fine singing voice, and moves well. Sikkema shows excellent stage presence. However, as young people falling in love, they need more chemistry. “Soon It’s Gonna Rain” is couple’s best musical number.

The fathers sense that marriage is a possibility, but want to crystallize the relationship by arranging a situation where Lucia is endangered and Matt rescues her. Enter El Gallo (Wayne Manuel). He is a shady character, who along with two accomplices, Henry (Travis Johnson) and Mortimer (James Canavan), offers to perform an abduction scenario---if the price is right.

Johnson is good as the has-bin actor, but Canavan gets more laughs for his interpretive death throes.

In Act Two, the wall comes down and so does the myth of “happily ever after.” The lovers are exposed to the forces of temptation and distraction (El Gallo et al) and they drift apart. All ends well when the parents conclude that the wall had more purpose than they had supposed and symbolically reconstruct it.

El Gallo is the central figure and also the narrator around which the other characters revolve. Wayne Manuel plays the part with an underlying sense of darkness. He has a quality voice, but lowers his head occasionally and loses projection. His top song of the show is “Try To Remember” performed in the closing moments of the show.

Robinne Okrasinski provides excellent keyboard accompaniment with the proper tempo and emphasis. A touch lower volume would have helped both Manuel and Cunningham get their lyrics across more clearly.

The Mute (Rachel Stidham) is a key piece of the collage and represents us as observers. She keeps her focus or concentration throughout the play.

Provencher is a local veteran performer and plays well off of newcomer Derek Friend, who brings an impressive list of credits to the Moonlight Player’s stage.

Director Dan Martin does his best job ever in blocking this show

" The Fantasticks" opened off-Broadway in May 1960 and launched Jerry Orbach (later “Law and Order”) as El Gallo into a brilliant Broadway career. It ran for 42 years to become the longest running show in America. It is currently in revival at the Snapple Theatre in New York. Inexplicitly, it has only been shown locally once (Melon Patch 2006) in the past ten years.

If you can’t make it to the Big Apple, I recommend you see this version by the Moonlight Players. You won’t be disappointed.

Note: the part of Luisa will be played by Heather Quinn on Fridays and Saturdays.

"Fantasticks" plays through May 22 at the Warehouse Theatre in Clermont. Ticket prices are $15. Make reservation on their answering service at 352-319-1116. They always call you back. Also visit their Web Site for directions at www.moonlightplayers.com.

"The Ritz" is Shady Hotel Farce

2011-04-26T18:59:00.002-04:00

.......................................................................photo by Carol Pastorius
Getting trapped in a gay New York bathhouse is a heterosexual’s worst nightmare. It’s especially frightening when you are from straight laced Cleveland as shown in the farce “The Ritz” now playing at the State Theatre in Eustis.

Gaetano Proclo (James Meadows) is on the run from a Mafia hit man. He unwittingly ends up in “The Ritz” which rents rooms by the half day. Carmine Vespucci (Glen Howard) is in hot pursuit, but he has to thread his way through a bevy of characters which includes the cast of “YMCA.”

The queen’s tiara goes to Kevin Jenness as Chris. He’s got every nuance down pat, even though his bio in the program indicates that he is straight. Runner up is David Santiago who played Claude, the ‘chubby chaser.’ He even had me feeling uneasy. Michael Osowski plays the ingenuous private detective, Brick, with a high voice which he maintains throughout the show.

Meadows carries the action as the befuddled hero. He never seems to tire.

Leesa Halstead is my top pick as Googie Gomez, the no-talent performer who waits to be discovered. Halstead has the fractured Spanish down pat and gives a Charo impersonation that is a winner. Note that Rita Monero took home a Tony for this role when “The Ritz” had a one year run on Broadway in 1975.

The set is another magnificent creation by Artistic Director David Clevinger. It is bi-level and has more doors than I could count. Playwright Terrence McNally (The Full Monty) lives in St. Petersburg and called Clevinger urging him to “Break a Leg.”

This ruckus farce is a comical look at a hundred gay slanted situations that might be a drag to some, but it is the slap-stick comedy, especially in the second act, that makes the show worth seeing.

“The Ritz” by the Bay Street Players runs Thursdays-Sundays through May 8 at the State Theatre in downtown Eustis. Evening performances start at 8 pm, Sunday matinees at 2 pm. Ticket prices are $20, except on Thursdays when they are $17. Dinner packages are available. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

"The 39 Steps" Opens at The Hipp

2011-04-21T13:43:00.001-04:00

The rumbling you have heard lately is not after shock waves from Japan’s earthquakes. It is more likely the antics of Alfred Hitchcock rolling around in his grave. Or maybe he’s just laughing. Regardless, his classic movie tale of “The 39 Steps” is brought to the stage in a remarkable edition of melodramatic spoof.

Richard Hannay (Jason Weiss) is our hero and mainstay. This rather ordinary Canadian is placed unwittingly within a spy story that takes place in England circa 1935. Secret British military plans are stolen supposedly by German spies who are trying to deliver them to the Fatherland.

If you recall the film, Richard is witness to two murders and becomes the target of the police as they chase him all over England and Scotland. Equity actress Jessica Morris plays most of the female roles while Ric Rose and Justin Sease fill in the rest of the cast using rapid costume change routines reminiscent of the “Tuna” series.”

My favorite scene involves Hannay unwittingly being mistaken for a guest speaker at a political rally. The farcical chase scene is reminiscent of a silent film Keystone Kops skits.

Scenery is at a bare minimum. A single door frame is on rollers. Likewise, a window frame. Stepladders and multipurpose shipping boxes make up the rest of the set. All items are moved by the actors and their paths are choreographed.

Because of a schedule conflict, I attended the preview performance. This was my first visit to this public rehearsal. Usually held the Wednesday and Thursday before opening, these shows are offered at a bargain basement price. The preview we saw was sold out.

This rapid fire farce is best viewed if you have seen the film version. Regardless, you will be laughing.

“The 39 Steps” runs through May 8 at the Hippodrome Theatre in Gainesville. For reservations or further information call 352-375-4477 or visit their Web Page at http://www.thehipp.org/.

NOTE: Photo and Logo by Michael Eaddy

"39 Steps" Trivia

2011-04-20T14:16:00.000-04:00

Hitchcock's 1935 film version was rated as Britian's 21st 'Best Films.' Who had the leads in this show?

STRICTLY FOR THE KIDS

2011-04-19T19:25:00.000-04:00

If the grandkids are getting restless, you may want to try:

                                    SECRET GARDEN

                  MELON PATCH THEATRE, LEESBURG

A young girl finds a secret garden and also finds a friend in a crippled young boy. Their adventures in the garden are a life changing experience for the boy.

The Melon Patch Theater and Patchwork Productions is proud to present The Secret Garden. The afternoon class will perform at 10am on Thursday, April 28th, and the tickets for this special performance are $5.00 each. There will be two other performances on Friday April 29th at 7pm, and Saturday April 30th at 2pm. The show is $5 for students and $10 for adults. Call 787-3013 or visit their Web Site at
www.businessmasters.net/melonpatch.

                                   WILEY AND THE HAIRY MAN

                  CENTRAL FLORIDA COLLEGE, OCALA CAMPUS

An African folktale about a young child who lives in a swamp with his mother and his dog.

Performances will be held on Tuesday, April 26, at 2 p.m.; Thursday, April 28, at 2 p.m. and 7:30 p.m.; and Saturday, April 30, at 2 p.m. at the CF Ocala Campus, 3001 S.W. College Road.

For reservations, call the CF Box Office at 352-873-5810. Seating is limited. Suggested donations of $3 or one nonperishable food item will benefit the First Step Food Pantry of Ocala. To learn about CF, visit www.CF.edu.

NOW CURRENTLY RUNNING

2011-04-19T14:04:00.000-04:00

“THE RITZ”

"The Ritz” opens on April 15 and runs through May 8 at the State Theatre in Eustis. The Bay Street players produce this farce about a man who is fleeing the mob and ends up in a gay bathhouse.

Ticket prices are $17 to $20 depending on day and performance. For reservations and other information call 357-7777 or visit their Web Site at http://www.baystreetplayers.org/.

THIS SHOW WILL BE REVIEWED NEXT WEEK

COMMING SOON

2011-04-18T14:07:00.001-04:00

"FANTASTICKS" Moonlight Players Clermont
April 29

"LATER LIFE" IceHouse
May 6

"JOSEPH..." Melon Patch
May 13

"Love Letters" opens on Weekend in The Villages Mulberry Recreation Center

2011-04-10T12:06:00.002-04:00

.................................................photo by Duane Hess

“Love Letters” is being presented by The Villages Theatre Company on April 15, 16, 17 at 7 pm on the Mulberry Recreation Center.

Becky Macintyre and Kent Schroeder have the roles of two friends who send letters to each other over the span of their lifetimes. While the characters are somewhat apart, the strength in their letters bind them. This play was nominated for the Pulitzer Prize for Drama and was written by A. R. Gurney. The VTC version is directed by Joyce Schenk.

Ticket prices are $12 and are available through The Villages Box Office. Check out tickets on www.thevillages.net/boxoffice.

COMING SOON!!!

2011-04-09T12:16:00.002-04:00

“OKLAHOMA!”

The Villages Musical Company presentation of “Oklahoma!” will appear on the Savannah Recreation Center stage April 18, 19, 10 at 7 pm. Starring in the feature roles are Jeff May (Curly), Sue Schuler (Laurey), John Rogerson (Will Parker), Linda Berthiaume (Ado Annie), Sylvia Whitney (Aunt Eller), and Gerry Sherman (Ali Hakim). The show is directed by Sandie Hawthorne.

Ticket prices are $16 and are available at all Villages Box Offices and also on line at www.thevillages.net/boxoffice.

“THE RITZ”

‘The Ritz” opens on April 15 and runs through May 8 at the State Theatre in Eustis. The Bay Street players produce this farce about a man who is fleeing the mob and ends up in a gay bathhouse.

Ticket prices are $17 to $20 depending on day and performance. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

Contragulations Central Florida College

2011-04-08T12:20:00.001-04:00

Congratulations to Rob O’Brien of Central Florida College at Ocala for a fine college presentation of “You Can’t Take It With You” on the first weekend in April. The set design and construction (Greg Loftus) was the best you will see at this level. Cast members for this show were

Penelope…………..Judi Lasaga
Essie……………….Katrina Muench
Rheba……………...Erinn Ya-Ya Dorsey
Paul………………..Sam Maynard
De Pinna…………...Orlando Jackson
Ed………………….Federico Bauzo
Donald……………..Ezra Fowler
Grandpa……………Austin Mathews
Alice……………….Michelle Myers
Henderson…………Christopher Bridges
Tony……………….Daniel DiCola
Boris……………….Jared Rothell
Wellington…………Caitlin Cooksey
Mr. Kirby…………..Mike Shier
Mrs. Kirby………….Katlin Strobel
G-Men……………...Alex Cintron
……………………..Zak Brogdon
……………………..Ryan Childs
Duchess Olga………Mekaella Lord

"Bingo, the Musical" plays cards well at IceHouse in Mount Dora

2011-03-24T10:26:00.005-04:00

.
..................................................................photo by Scott Hodges
Bingo can become an addiction. Not even hurricane Dora can keep a trio of addicts from their weekly recreational ritual. Vern (Lisa Leonard), Honey (Robyn Sennott), and Patsy (Janine Klein) arrive late only to find first row audience members have taken 'their seats.' They are relegated to the no-smoking area and are not bashful about bashing the interlopers in song in “Bingo, the Winning Musical” now playing at the IceHouse Theatre in Mount Dora.

You cannot miss the flavor of the Bingo hall. A legitimate flashing number Bingo board is evident on stage right. The balls are bouncing right in front of it where caller Sam (Patrick Ryan Sullivan) uses a carnival barker’s patter to spice up his act. Sullivan, an Equity Actor, doubles as Frank, the only other male part. A five square lighted board, center, displays the winning game pattern. Even I, with Catholic roots, had not seen all the combinations with descriptive names that were shown on the board.

Artistic Director Darlin Barry has the uncanny ability to gather women singers that can blow audiences away. This show is no exception. To the list above you can add Loraine O’Connell (Minnie) and Brenda Ferguson (Bernice). You won’t be humming any of the songs on the way home, but the tunes are catchy and upbeat.

For a standout performance there is Whitney Abell who parodies Nurse Ratched from “...Cuckoo’s Nest.” Also area favorite Robyn Sennott gives her best performance ever as the temptress Honey.

The musical corrals the audience into playing three games with prizes that might buy you a coffee at Starbucks.

To enjoy this production, concentrate on the music and antics. Forget about the plot which is thinner than your chance of winning at Bingo twice in a row.

For last Sunday's matinee, which was sold out, sound was excellent. I didn’t miss a word in the last row.

If you’ve ever played Bingo (and who hasn’t?), you are going to like this show.

“Bingo, the Winning Musical” at the IceHouse Theatre in Mount Dora runs through April 10. Ticket prices are $20. Evening performances start at 8 pm except for Thursdays 7:30. Sunday matinees start at 2 pm. Senior tickets for Thursday and Sunday shows are priced at $18. For further information call 383-4616 or visit their Web Site at www.icehousetheatre.com.

Light comedy "When Bullfrogs Sing Opera" now playing at Ocala Civic

2011-03-21T20:48:00.003-04:00

.......................................................................................photo submitted
What the local theatre area needs is a good light comedy not authored by Neil Simon. The current offering by Ocala Civic Theatre “When Bullfrogs Sing Opera” has a catchy title that is full of promise, but may not be the answer.

Millicent (Kim Wise) and Coreen (Laura Bradford) are sisters who grew up in backwoods Bullfrog Waller. Millicent escaped, worked her way through college, and is now married to successful, self-made entrepreneur Brian Westlake (Jeff Cole). Her main ambition is now to climb the social ladder to its pinnacle.

Sister Coreen who stayed in Bullfrog Waller makes a surprise visit. The bucolic sibling arrives just when Millicent has a meeting with Frances Kupperman (Melody Murphy), Queen Bee of high society. To avoid any embarrassment, Millicent passes off Coreen as an actress preparing for a role by immersing herself into a country bumpkin personality. And it works---for a time.

Bradford plays her role well. Her accent is plausible, her costume is good, and she moves well. She does get some laughs on some euphuisms.

The problem with this play is that all the principal characters, with the possible exception of Coreen, are one-dimensional. Even the very experienced actors Jeff Cole and John LaPaille (Andrew Kupperman) could not do much with their parts to get my interest. One bright moment in the play is Murphy’s rendition of Katherine in “The Taming of the Shrew.”

However, the kids did come out ahead. The Westlake’s son Patrick (Jonathan Williams) and Kupperman’s daughter Stephanie (Megan Wise) roles ring some chimes. Nice work by both of them.

The nouveau riche apartment of the Westlake’s is another triumph for the OCT’s set design and construction crew.

Sound is not acceptable for an audience with a preponderance of gray hair. At least half the punch lines were not loud or clear enough to be effective. Lavalier microphones are technologically advanced to correct this situation. In today’s economy no theatre can afford to lose a single audience member because of inadequate amplification. I’d sure try headsets for the last week of production, if nothing else is available, and gauge the level of laughs and audience response.

“When Bullfrogs Sing Opera” written by Carl Williams won the 2001 McLaren Memorial Comedy Playwriting Competition. It is directed by Chip Morris and runs through runs Wednesdays-Sundays through April 10. Ticket prices are $20.

Bargain tickets are available for $10 on March 17, 18, 19, 23 evening performances.
For reservations or further information on these bargain prices call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

Bargain Price for "You Can't Take it With You" at Central Florida CC in Ocala

2011-03-17T16:03:00.000-04:00

Grandpa (Austin Mathews)
Alice (Michelle Myers)
Tony (Daniel Di Cola)

A LIMITED NUMBER OF FREE PASSES ARE AVAILABLE. E-mail Jack at atheatre1@aol.com

College of Central Florida Theatre will present “You Can’t Take It with You” in March and April. This story of young lovers caught up in the foibles of their families is a perennial favorite.

“If you have ever blushed at something your family has done or hushed something your family has said, then ‘You Can’t Take It With You’ will seem like a delightful family reunion,” said Rob O’Brien, assistant professor of theatre at CF. “It has kept audiences laughing for more than 70 years. I think the show is perfect for anyone who has ever laughed at their family.”

Evening performances will be held Wednesday through Saturday, March 30 through April 2, beginning at 7:30 p.m. A Sunday matinee will be held on April 3, beginning at 3 p.m. Performances are in the Fine Arts Auditorium at the Ocala Campus, 3001 S.W. College Road.

General admission is $10; admission is free for CF students and $5 for all other students. Tickets are available online at tickets.cf.edu or by calling the CF Box Office at 352-873-5810.

Special pricing may be available. Check with Box Office.

"Arsenic..." is a delight at Clermont

2011-03-15T22:18:00.007-04:00

Abby (Jan Sheldon), Witherspoon (Chris Guzik), Martha (Cathy McEachern)

The Brewster sisters are at it again. Those lovable but lethal siblings are back serving their special elderberrywine in "Arsenic and Old Lace" by the Moonlight Players of Clermont.

The elderly sisters, Abby (Jan Sheldon) and Martha (Cathy McEachern), have a secret hobby. They help lonely, old gentlemen accelerate their voyage to the Promised Land by treating them to a blend of arsenic and wine, then have them buried in the cellar of their Brooklyn home. Nephew Mortimer (Sonny Dyon) discovers his aunts’ transgressions and leads a parade of characters making up the comical plot. Girl friend Elaine (Jennifer Roman), the minister’s daughter, lives next door and does her best to help.

Complicating Mortimer’s predicament is the return of errant, sinister brother Jonathan (Brendon Rogers) accompanied by the eccentric Dr. Einstein (Bob Mullins).

Dyon does well setting the pace for the show as Mortimer. He was last seen at Clermont as Oscar Madison in “The Odd Couple.” Robbins as Elaine is one of the more accomplished actresses in the local area and matches up well with Dyon.

Perhaps the most sought after role is Teddy, Mortimer’s befuddled brother, who is convinced that he is Teddy Roosevelt. Charles Turscott does justice to the role, blowing the bugle and charging up an imagined San Juan Hill. Which brings me to the set...not normally a strong point at the small Warehouse Theatre. This set is an exception. No detail is spared. Note the window seat and a set of stairs to a second level for Teddy’s charge.

Sheldon and McEachern are delightful as the sisters. Abby is the alpha character by the script, but I needed more differentiation between the sisters who seem to have identical moves and reactions.

Brendon Rogers’ Jonathan is effective. Being a steady menacing villian is much more convincing here than the more common over-the-top portrayal.

This play is difficult to stage so I appreciated the touches of Director Joe Ousley such as expanding the role of Officer O’Hara (Andre Provencher). Also moving the table downstage opens the center for action, but the sisters must be careful not to lower their heads when seated which mutes their vocal deliveries.

And what happened to ‘the shoe?’ It seemed to get lost as a prop as the story progressed.

“Arsenic and Old Lace” is always an entertaining spoof ideal for community theatre audiences. This edition by the Moonlight Players of Clermont will not let you down.

This play runs through April 3 at the Warehouse Theatre in Clermont. Ticket prices are $15. Make reservation on their answering service at 352-319-1116. They always call you back. Also visit their Web Site at www.moonlightplayers.com.

Photo to right: Dr. Einstein (Bob Mullins). Jonathan (Brendon Rogers), Mortimer (Sony Dyon)

ARSENIC NOTES:

The play by Kesselring opened on Broadway in January 1941. The script was written in 1939 so you will note references to Hitler and Japan. The only ‘name’ star was Boris Karloff who played Jonathan who 'looked like Boris Karloff.'

The movie version is more widely known. The 1944 Frank Capra film starred Cary Grant (Mortiner), Pricilla Lane (Elaine), and Peter Lorre (Einstein). Raymond Massy played Jonathan.

"42nd Street" Makes Must-See List at Show Palace Dinner Theatre

2011-03-07T11:17:00.007-05:00

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It’s 1933 and famed Director Julian Marsh needs to have his new musical “Pretty Lady” be the best show in ten years to reclaim his position as Broadway’s creative genius. There are only a few problems. It’s the nadir of the Great Depression. Financing is at the mercy of a mercurial Texas millionaire. His star performer, Dorothy Brock, has broken her leg. The story that forever changed the public’s view of musical theatre unfolds in 42nd Street now playing in spectacular fashion at the Show Palace Dinner Theatre in Hudson.

In true ‘The Show Must Go On’ tradition, the ensemble urges Marsh (James Middleton) to try neophyte chorus member Peggy Sawyer (Tiffani D. Robbins) for the lead. He challenges Sawyer, “You’ve got 25 pages, six songs, and ten dance routines to learn by tomorrow night. Do you think you can do it?”

Peggy gives an affirmative Allentown, Pennsylvania nod.

She gets plenty of help and encouragement from Billy Lawlor (Scott Daniels) her co-star and writers Bert and Maggie (Pete Clapsis and Melanie Souza). Deposed diva Brock (Jan Leigh Herndon) is not pleased.

The opening says what this show is all about. The curtain starts to rise then stops at thigh high level. A line of dancers’ feet start their audition number to the tune of "42nd Street" breaking into a set of perfect double time steps followed by another set of triples. In the following scene Robbins joins in with the fastest, cleanest tap dancing I have seen for a long time. That plus the exuberance of the chorus take this show to the Must-See level.

While Robbins’ dancing is tops, she can sing and act as well. You could hear a napkin drop when the injured Brock relents and encourages Sawyer to do her best. The audience is mesmerized when Marsh utters the most famous line in musical theater, “Sawyer, you’re going out there a youngster, but you’ve got to come back a star.”

Scott Daniels shows remarkable breadth of talent as Billy. Middleton does everything right. Herndon is good interacting with Robbins, but unconvincing as a woman with an intense infatuation. Rachel Perin is a chorus line stand out as Annie.

Costumes, music, sound, and lighting all are on the mark. The choreography is excellent except for the “You’re in the Money” number which is squeezed by the shallow depth of the Show Palace Stage and a lack of tap resonance in the center circle.

42nd Street was a smash hit at the movie box office in 1933. The cast included Dick Powell (Billy), Ruby Keeler (Peggy), and Ginger Rogers (Annie). It took 47 years before a stage version appeared on Broadway. Gower Champion’s choreography assured the show of success and the 1980 musical ran for over 3000 performances.

A super “Shuffle Off to Buffalo” double-deck sleeper car number plus a smooth rendition of “About a Quarter to None” will have you humming one of these favorites on the way home. You don’t want to miss this show!

Peggy (Robbins), Marsh (Middleton)

Matinees are Wednesdays, Thursdays, Saturdays with a brunch show Sundays. Evening performances are Fridays and Saturdays. Ticket prices for show and dinner are $48 plus tax. Local tour agencies for the best bargains on all-inclusive tours packages.

VILLAGERS: A Villages club has purchased an entire special Tuesday performance. For information on your club or group discounts, reservations or individual tickets call 888-655-7459 or visit their Web Site at http://www.showpalace.net/

"Doubt" by Bay Street Players has limited run

2011-03-06T11:27:00.001-05:00

Pulitzer Prize and Tony Award winner "Doubt" by John Patrick Shanley is the Bay Street Project presentation for weekend run only, March 10 - 13. This story about a conflict between a nun who is principal of a Catholic school who suspects a priest of molesting a young black boy will have you on the emotional edge of your seat.

Already seen as a movie starring Meryl Streep, the stage version is Bay Street Project’s offers the Project as an opportunity to present compelling works outside of the Main Stage series. Doubt is the fourth play in this popular 2010 – 2011 five show series.

Tickets are $10.00 for adults and $5.00 for students. For reservations, call the Box Office at 352.357.7777 or visit www.baystreetplayers.org to purchase tickets online.

Be aware that curtain times for Thursday-Saturday are 7:30, Sunday matinee 2:00.

Beauty and the Beast Jr Edition Goes up This Weekend

2011-03-05T17:23:00.000-05:00

News Release

The Bay Street Players’ Young People’s Theatre will present four performances of Disney’s Beauty and the Beast, Jr. A cast of extremely talented young people, ages 7 to 18, will amaze you as they sing and perform dance numbers with the skill of veteran performers. Dancing flatware, menacing wolves and singing furniture fill the stage with thrills in this beloved fairy tale about very different people finding strength in one another and learning how to love.

Directed by Amanda Warren, Disney’s Beauty and the Beast, Jr. will be presented March 17 and 18 at 7 PM and March 19 and 20 at 2 PM. All performances will be held at the historic State Theatre located at 109 N. Bay Street in downtown Eustis. Tickets are $10 for adults / $5 for children 12 and under and can be ordered on line at www.baystreeetplayers.org or by calling the Box Office at 352-357-7777.

Kids Show This Weekend at Ocala Civic Theatre

2011-03-03T17:13:00.000-05:00

“Charlotte’s Web” was named by the Children's Literature Association named "the best American children's book of the past two hundred years," A stage presentation may be just the ticket to get the Grandkids out and about.

Ocala Civic Theatre presents the stage version. It will be staged outside, so seating reservations are not needed. Follow Wilbur in his adventures to avoid the butcher shop.

Performances are Saturday, March 12 at 11 am and again at 3 pm. Also there is a performance on Sunday March 13 at 3 pm. Tickets are only $6. For details call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

Last Chance to see "Rabbit Hole"

2011-02-18T16:23:00.002-05:00

l to r Sheryl Cousins, John Gracey, Amanda Warren, Chasteen Mullins (James Canavan not shown)
...................................................photo submitted
There are only two remaining performances of “Rabbit Hole” by the Bay Street Players of Eustis. The play will be staged Sunday evenings at 7:30 on February 20 and 27.

This 2007 Pulitzer Prize winning play portrays a young couple, Howie and Becca Corbett, who have lost their four-year-old son in an accident. Each of the parents tries to cope with their loss in different ways. Becca’s sister Izzy announces that she is pregnant complicating the emotional turmoil.

Currently showing is the film of the same name starring Nichole Kidman. Both the film and the play are considered contemporary drama at its peak.

The term ‘Rabbit Hole’ is generally a reference to Lewis Carrol’s “Alice in Wonderland” where Alice enters a new strange, but wonderful world through a rabbit hole.

Due to scheduling conflicts, this show will not be reviewed.

“Rabbit Hole” plays at the State Theatre in downtown Eustis. Remember that this show is at 7:30 and shares the same set as the “Phantom” which will play at 2 pm. Ticket prices are $10. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

"...Wonderettes" musical opens at OCT

2011-02-10T10:35:00.001-05:00

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Who says you cannot go back in time? The Marvelous Wonderettes at the Ocala Civic Theatre gives it a try by taking us to June 1958 where the Senior Prom of Springfield High School is under way. For lack of any other entertainment, four girl singers are put on stage for the next hour to harmonize the songs of the times. I thought the senior prom was about dancing. Oh well.

The location is the high school gymnasium, authentically reproduced by Scenic Designer James Morgan and his crew. The entire set is done in perspective where the further upstage you go, the smaller everything gets. Note the roof trusses which are consecutively smaller to coincide with the diminishing heights of the side walls. Super job!

Celia Bills, Laura Brahim, Marcy Butler, and Vanessa Quinones do the work as a quartet in 4 part harmony as well as individual vocalists. Quinones is making her debut at OCT. All are fine singers. I’d like to see them in a sing-off in a “Patsy Cline Contest.” They would be great.

Songs in the first act open with Mr Sandman complete with authentic ba-ba-ba-ba accentuations. How about Lollipop, Allegheny Moon, Sincerely, Hold Me-Thrill Me-Kiss Me? The girls double as back up singers when each steps forward to take the lead.

It is fast forwards in the second act to the Tenth Anniversary Reunion. Again, the four perform now picking up the 60’s songs in the same gymnasium. My favorite is Son of a Preacher Man. But then songs begin to all sound alike. There doesn’t seem to be a smooth romantic song in the bunch.

The plot is wafer thin so it is up to Director SuSu Sparkman to spice up things to differentiate the girls. The best gag is with the chewing gum. Some audience participation is injected and works very well. More ‘stuff’ is needed.

Costuming and hairdos are not much of a challenge in the era of crinoline and taffeta. Sound is perfect. Each wears a body microphone and the band is strategically placed upstage and center.

Roger Bean authored The Marvelous Wonderettes, a relatively new show that opened Off-Broadway in 2008 and ran for 15 months, which is considered very respectable. It is one of several mini-musicals designed for low production costs coupled with high entertainment such as Honky Tonk Angels and Forever Plaid.

Marvelous Wonderettes is mainly a musical revue placing it outside my area of expertise. However, if you love the ‘60s music, it’s a good bet you will like this show.

This show runs through February 27. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com

"Phantom" is Art at its Best

2011-02-08T09:07:00.000-05:00

The Phantom (Michael Osowski) and Christine (Miranda Robinson)

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The story is by French author Gaston Leroux written in 1910. A young man seriously disfigured at birth hides in the catacombs and tunnels beneath the Paris Opera House. His musical genius keeps body and spirit alive through the opera’s music from above. He is omnipotent in the theatre, but then the aura is interrupted as the Opera House is sold.

New owner Alain Cholet (Jonathan Olson) and wife La Carlotta (Anne Miller Sollien) are told that the Opera House is haunted by the Phantom. Cholet dismisses the thought while Carlotta who is to be the resident Diva, is wary. The legend comes to life in the musical “Phantom” now in production by the Bay Street Players in Eustis.

Count de Chandon (Rick Breese) discovers a street singer Christine (Miranda Robinson) whose has a beautiful but untrained voice. He sends her for lessons to Gerard Carriere (Thomas Young), manager of the Opera House, not knowing that Cholet has just fired him.

Christine ends up as a seamstress for the opera. The Phantom (Michael Osowski) overhears her singing and immediately becomes enchanted. His mask frightens her but she accepts it when he tells her it is only to hide a disfigurement. He takes her to his dwelling beneath the Opera House and becomes her singing mentor.

We know the rest of the classic story where the Phantom casts his dark shadow across the Opera House instilling fear and terror. He rules his domain relentlessly and those who try to thwart his wishes are doomed. Osowski has a good voice, but not the booming quality nor the physical demeanor to bring foreboding tension into the hearts of the audience. He is somewhat hampered by the top half mask. Perhaps a sculptured mask such as on the playbill may allow him get more expression into his role. Slicked back hair would be more convincing also.

Miranda Robinson is ‘the find’ of the season. Her singing is exquisite and her acting is superb. She is a light year ahead of her chronology as a senior at Leesburg High School. I’ve never seen such a captivating smile while hitting the high notes. There’s a bright star in the making here.

Olson and Sollien get my applause for staying in character and provided the much needed moments of levity. Veteran performer Rick Breese is at ease in his role of the raconteur, and Young is impressive in the second act working up close with the Phantom.

The set is spectacular. A golden proscenium has been added for the elegance. A spiral staircase allows the action to be performed on two levels. Director David Clevenger uses his magic not only with the set that transforms quickly by using a scrim, but also with costuming, lighting, and music.

Best of all is the use of body microphones for the principals. That along with carefully prepared and controlled music allows the audience to appreciate every word and note of music.

This musical is not the better-known “The Phantom of the Opera” by Andrew Lloyd Webber. Both musicals were separately adapted from the same book so their plots are parallel When Webber’s ‘Phantom’ made it from London to Broadway in 1988 and was an instant hit. The Kopit-Yeston version by the Bay Street Players opened Off-Broadway in 1991.

You won’t see the chandelier swinging down from the balcony, nor will you have to shell out $100 plus for a ticket at the historical State Theatre in Eustis. What you will see and enjoy is, on balance, one of the best musicals of this season. It’s a class act from beginning to end.

“Phantom” runs Thursdays-Sundays through February 27 at the State Theatre in downtown Eustis. Evening performances start at 8 pm, Sunday matinees at 2 pm. Ticket prices are $20, except on Thursdays when they are $17. Dinner packages are available. For reservations and other information call 357-7777 or visit their Web Site at www.baystreetplayers.org.

"Phantom" notes and history

2011-02-06T21:07:00.002-05:00

The labyrinth of tunnels and catacombs under Paris is the subject of the cover article of the National Geographic magazine's current issue.

Paris is the scene for another disfigured character, Quasimodo, known as “The Huntchback of Notre Dame.”

"...Scoundrels" Nip at Must See Rating

2011-02-03T11:43:00.004-05:00

Billy McCoy, Alyson Johnson,and Nathan Jessee

There’s a little bit of larceny in the hearts of everyone, so a peek inside the life of a con artist who cleverly relieves the super rich of their excess cash can become a delicious adventure. You can glimpse the slick fleecing of idle millionaires in the musical “Dirty Rotten Scoundrels” produced by the Moonlight Players of Clermont.

Lawrence Jameson (Nathan Jessee) is the quintessential scoundrel operating in the fast lane of the French Riviera. He convinces us that he is only “Giving Them What They Want” in the show’s opening musical number.

A two-bit chiseler Freddy Benson (Billy McCoy) crosses paths with the slick, sophisticated Jameson. They make a bet to see who can be first to bilk $50,000 from an ingenuous Christine Colgate (Alyston Johnson) who said to be the heir to the toothpaste fortune. The plot thickens into a love triangle tangled with twists that send the audience into a wonderfully funny evening.

A sub-plot involves Jameson’s conspirator Andre (Adrian Ahern), also the chief of police. He teams up with tourist Muriel (Jenn Roman) and the pair exudes a special kind of chemistry rarely seen in theatre. And both can sing, too.

For a second level of comedy relief, Tracy McCoy delivers it as the rich girl from Oklahoma who Jameson is trying to dump. Her high-spirited antics are a delight.

Jessee starts off tentatively (see The Back Story below) by dropping the last word or two of his lines. But then, as he relaxes he finds that his off-stage presence is a good match for the suave Jameson and everything comes together. He and McCoy play well off of each other to make a smooth pair.

The star of the show is McCoy. He puts action into his character that defines Freddy as a real, but likeable scoundrel.

A hallmark of Director Jan Sheldon’s shows is the disciplined chorus. No one ‘wanders around’ in a Sheldon show.

The major flaw of the three piece orchestra on audience left that drowns out everyone but McCoy. The partial shroud doesn’t do the job and a full carpet-like shroud is not possible. Drop the woodwinds and cut back on the keyboard.

Wiggery for Johnson needs changing. In the early scenes, the hair is unnatural and blocks her face about half the time.

Choreography and dancing is good and scenery is excellent.

I reviewed this show opening week on Broadway in 2005. John Lithgow (Third Rock from the Sun) played Jameson and Leo Butz played Freddy. Butz won a Tony for his performance. The 1988 movie starred Steve Martin and Michael Caine.

This is a funny, funny musical that rates a Must See tag once the music gets under control. “Dirty Rotten Scoundrels” runs through February 13 at the Warehouse Theatre in Clermont. Ticket prices are $15. Make reservation on their answering service at 352-319-1116. They always call you back. Also visit their Web Site at http://www.moonlightplayers.com/.

Nathan Jessee, Tracy McCoy

Adrian Ahern, Jenn Roman

Backstory on "...Scoundrels"

2011-02-01T11:35:00.000-05:00

"The Show Must Go On!" Here's Director Jan Sheldon's backstory:

"The flu had hit our cast during dress rehearsal week. By final dress rehearsal my stage manager was, and still is, in the hospital. The lead actor who plays Lawrence had laryngitis and by Saturday night was without a voice and feverish. Sunday’s show was canceled. By Thursday he still was not well. Nathan Jessee and I had talked about him looking over the part but his wife had been ill all week.

On Thursday Nathan said he would cram that night and call me Friday if he felt he could do the show Friday night. I went ahead and called off the show Friday morning so we'd have Friday night to help Nathan through a brush up rehearsal. Besides working all day Friday and Saturday, Nathan was able to cram and perform Saturday night and again on Sunday. Luckily Nathan had veteran actors like Adrian Ahern, Alyson Johnson and Billy and Tracy McCoy to perform with. These actors were able to move him and help with prompts if he needed them. This is not the first time Nathan has filled in. During my “Chicago”, Nathan filled in for Billy Flynn but he had the luxury of knowing one week in advance."

Comedy Gallops at CF Foundation Dinner Theatre on CFCC Campus in Ocala

2011-01-31T20:47:00.004-05:00

Dinner theater could not exist without a good helping of British comedy. The Central Florida Community College Foundation adds a hand carved beef entree, refreshments, and desert to make a complete evening of fun at the Webber Center of the Ocala campus. Proceeds of the event go primarily for scholarships.

Trust author Ray Cooney to supply another script that has the audience roaring. “It Runs in the Family” is a farce in the truest sense of the word performed by volunteer veteran actors from the community.

Dr. David Mortimer (Bruce Clayton) is on the threshold of pretentious appointment at St. Andrew’s Hospital. He needs only to present a paper at a conference, but events stand in the way. At this critical time Jane Tate (Judi Zanetti) appears. She and David had an affair 19 years ago resulting in a son Leslie (David Leppert) unbeknownst to the doctor.

Leslie is on a crusade to find his father. The only clue is that his father works at St. Andrew’s. Dr. Mortimer wants no part of it since he is happily married to Rosemary (Melissa Schubel). Mortimer sets up colleague Dr, Bonney (Gene Zanetti) as a bogus father. Initially, he rebels, but later discovers some fringe benefits.

Add in a third doctor (Tom Ferreira), ditzy matron (Sarah Rzepecki), uppity hospital chief Sir Willoughby Drake (Phillip Leppert), Bill (Frank Rzepecki), a wandering patient, and the requisite Police Sergeant (Gail Baumann) and the chase is on.

All of the action takes place in the Doctor’s lounge. There are only three doors (normally five in a farce) and three chairs (normally three chairs and a couch). But this is OK since the pace is so fast that no one has a chance to sit down.

Clayton handles the arduous lead role. He is on stage nearly all of the time and properly plays the straight man for Gene Zanetti who gets most of the laughs. In the cameo role of Bill, Frank Rzepecki gets more than his share of chuckles. Villager Gail Baumann is a showstopper. When she delivers a lay-it-on-the-line monologue to stop all the nonsense, she received a sound round of applause. Of course, the play characters pay her no mind.

SuSu Sparkman directs the show and Brooke Eliot handles the back stage work.

This dress-up fundraiser is a great venue for fine dining and a show. Tickets for the 13th Annual Dinner Theatre at CFCC are $50, all inclusive, part of which is tax deductible. The remaining dates of this dinner theatre are evenings February 2,3,4,5, and a matinee on Feb 4. For reservations or further information call Laura Wright at 352-854-2322/1416 or visit their Web Site at www.cf.edu/foundation/events/play.htm

"Magnolias" Blossom at IceHouse

2011-01-25T16:33:00.003-05:00

.............................Ava Turnstall (Truvy) and Michelle Procopio (Shelby)
...................................................photos by Scott Hodges
Truvy Jones runs a beauty salon in the small town of Chinquiapin, Louisiana. Her motto is “There is no such thing as natural beauty.” She reserves Saturday morning for special clientele where women can really let their hair down. She fixes their hair to get some of that beauty, but in reality her comb works beauty through their souls in “Steel Magnolias” presented by the IceHouse Theatre in Mount Dora.

Truvy (Ava Turnstall) has issues herself, but not as pressing or interesting as the others. Newly hired shampoo girl Annelle (Sara Walker) is shy, mixed up, and is of dubious marital status. Recent widow Clairee (Margaret Appollioni) is coming to terms with the death of her wealthy husband. Acerbic spinster Ouiser (Charlotte Jardine) is ever ready to challenge, question, or irritate depending upon her mood.

The plot focuses in on M’Lynn (Francie Moon) and her diabetic daughter Shelby (Michelle Procopio). The two are not on the best of terms, but preparations for Shelby’s wedding bring them together. Shelby’s doctor warns that having a child might endanger her own health, but she disregards this advice and serious consequences follow.

The essence of Robert Harling’s popular play is the bonding of women in a common arena. These women have the fragrance and texture of southern magnolias but also have an inner strength of steel when needed.

Ensemble work by the cast is outstanding and makes the IceHouse version click. As I exited the theatre a woman commented to me that, “I wanted to be part of that group,”an unsolicited endorsement rarely made.

The major shortcoming is in the projection of the voices. A packed Sunday afternoon matinee traps the sound. Turnstall in the opening moments is downstage left and upstages herself several times. Only Appollioni is consistently heard---she wore a microphone.

Director Darlin Barry is known for demanding a high pace and quick line pick up. This makes her shows sparkle, but in this case it runs countercurrent with the southern drawl making diction even more difficult. Among the pathos, this show has a lot of great laugh lines some of which are lost entirely.

The set spans the entire stage and is a bit pretentious for a small southern town. .

While the four elder actresses showed great interaction, the standout performance is by Procopio. I have reviewed this play five times and this is the best Shelby of all. Just watch her reaction when her illness kicks in. It makes you shiver. Watch how she sits (one leg under) to display her youthfulness. Also the level of chemistry shown between Shelby and Annelle is rarely witnessed on stage.

You have a chance to be ‘part of the group’ at the IceHouse Theatre in Mount Dora through February 13. Ticket prices are $20. Evening performances start at 8 pm except for Thursdays 7:30. Sunday matinees start at 2 pm. Senior tickets for Thursday and Sunday shows are priced at $18. For further information call 383-4616 or visit their Web Site at http://www.icehousetheatre.com/.

..........................................Margaret Appolloni (Claree) Charlotte Jardine (Ouiser)

Satan Challenges God in Simon Comedy at Melon Patch Theatre in Leesburg

2011-01-22T17:00:00.005-05:00

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Millionaire Joe Benjamin (Ed Fahey) credits “God’s will” as the reason for his success. He lives well, but within his means, with wife Rose (Mina Kirkland), twins Ben (James Manke) and Sarah (Tamra Halsey), and errant older son David (Thomas LaRosa) as we learn in the first act of Neil Simon’s comedy “God’s Favorite” at the Melon Patch Theatre in Leesburg.

Joe is paid a midnight surprise visit by a stranger, Sidney Lipton (Don Riddle), who portends to be God’s messenger. He confirms his identity by revealing his sweatshirt emblazoned with the letter “G.” Joe, he explains, is God’s favorite human, but the Devil has made a wager that he can get Joe to renounce God through trickery, tragedy, turmoil, or even terror. Joe is reluctant to believe Sidney’s story, but then he receives a call that his box factory is in flames, a stark omen of misfortunes to come. Regardless, he proclaims that he will never renounce God---no matter what.

If this doesn’t remind you of the Book of Job, it should. True to the Bible story, Joe’s family is torn asunder by an alcoholic son, David; his property is destroyed; and finally he is afflicted with every imaginable disease except leprosy or, even worse, the shingles.

The role of Joe is exhausting. He is on stage 98 percent of the time. For this alone Fahey gets my endorsement. He really comes into his own in the second act with his afflictions that even had me scratching.

But Fahey and the entire ensemble are hampered by the lack of imaginative blocking which would have raised the level of this performance a full step. The actors seem cemented in place, particularly the twins. In their case, fidgeting does not do the trick. Only the characters Lipton and David move about properly. Effective use of the two level Melon Patch set is never attained.

Both Riddle and LaRosa should be proud of their performances. Kirkland plays the spaced-out wife with almost the same sparkle she did in that same role ten years ago at The Patch. She and servants Morris (Michael Winternheimer) and Mady (Gaynell Kind) have some of the best laugh lines. Kind has that matter-of-fact delivery that is a riot, but misses the full impact when she turns upstage to deliver the punch line.

The unheralded star of this play is the set. The transformation during the 15 minute intermission garnered “Wows” and applause as the curtain reopened. Set design credits go to Director Paul Thornton (who played Lipton a decade ago at MP) and Winternheimer. The difficult set change, which does not intimidate The Patch, is challenging enough that this play is rarely seen.

“God’s Favorite” at the Melon Patch Theatre in Leesburg runs weekends through February 6. Prices are $15. Evening show times are 8 pm. Sunday matinees are at 2 pm. For reservations or further information call 787-3013 or visit their Web Site at www.melonpatch.org.

SEE THIS SHOW? Give us your opinion by clicking on ‘Comments’ below.

"CHICAGO" Gets Plus Review by Orlando Sentinel

2011-01-14T21:26:00.000-05:00

Matthew J. Palm, Theatre Critic for the Orlando Sentinel, gave the musical “Chicago” by the Downtown Theatre a positive review in the January 12 edition. Local area favorites were given accolades: Joel Warren as Billy Flynn (lawyer), Eddy Coppens as Amos (The Cellophane Man), and Joshua Eads as Mary Sunshine (the reporter). For details visit http://www.theatredowntown.net/.

This theatre is slightly outside our range of coverage and will not be reviewed.

OTHER UPCOMING SHOWS

2011-01-13T21:29:00.003-05:00

Dirty Rotten Scoundrels...Jan 21...Moonlight Players, Clermont

It Runs in the Family...Jan 26...Central Florida Community College Foundation Dinner Theatre...Ocala

Midsummer’s Night Dream...Jan 26...Shakespeare/UCF...Orlando

Grapes of Wrath...Jan 28...UFL...Gainesville

Sunshine Boys...Feb 18...Villages Theatre Company

Wicked...Feb 23...Bob Carr Orlando

42nd Street...Mar 4...Show Palace Dinner Theatre

Posted by Jack Petro at 4:01 PM 0 comments

Corporate Life Spoofed in "How to Succeed..." at Show Palace Dinner Theatre in Hudson

2011-01-12T22:14:00.005-05:00

.....................................................................................................photo by Scott Daniel
Climbing the corporate ladder from the mailroom to the executive suite is one of American’s dreams. Setting it to song, Frank Loesser took “How to Succeed in Business Without Really Trying” to Pulitzer Prize winning heights in 1961. This musical spoof of corporate life is currently playing at the Show Palace Dinner Theatre in Hudson.

The plot is simple enough. Lowly window washer J. Pierrepont Finch (Michael Sterling Miller) finds out that all you have to do for success is follow the path laid out by the paperback book “How to Succeed in Business” which becomes his bible. And it seems to work.

The first step is to get a job in the mailroom of a very large corporation---easy. The company must be big enough that no one knows what anyone else is doing. (Could it be GE where I worked for 38 years?) Rule number two is to get out of the mailroom as soon as possible---hard. Whereas Horatio Alger would have accomplished this by monastic hard work, Finch acquires all of his promotions by chicanery.

The steno pool, the coffee break, nepotism, incompetence, sexual peccadilloes, all mixed with a touch of greed make up a salad bowl of take-offs on corporate life. Nothing is sacred.

Along the way in Finch’s skyrocketing career he meets stenographer Rosemary (Anna Kimmell) who instantly falls in love with him for no discernable reason.

The elfish Miller is a good choice for Finch. He uses every move and expression in the book to get the audience pulling for the young scoundrel. Kimmell is absolutely perfect in the role of the ingenuous, love struck Rosemary. She can really sing, too.

Scott Daniel plays Bud Frump, the nebbish nephew of company president J. B. Biggley (Rick Kistner).
Frump is the cinder in the eye of Finch and Daniel plays it over the top as it should be. Yet I prefer Frump to be a bit less foppish and more like a spoiled brat.

Kistner, Susan Haldeman (Smitty), and James Middleton (Bratt) know how to play their cartoonish characters for all they are worth.

All the elevator scenes are worthy of praise. In particular, the “It’s Been A Long Day” by Miller, Kimmell, and Haldeman gets an ‘extra credit’ mention.

Dancing and choreography are good, but from past experience I expect it to be outstanding at the Show Palace. The biggest dance number “The Brotherhood of Man” should be a ‘full court press’ including the secretary-dancers at its end.

“How to Succeed…” opened in 1961 and was an instant hit on Broadway. Robert Morse was cast as Finch while Rudy Vallee, whose last Broadway appearance was in 1935, took the part of Biggley. Most of the original cast took their roles to the 1967 screen version. As a 50th anniversary revival, it is scheduled to open March 2011 on Broadway starring Daniel Radcliffe (Harry Potter).

What makes this show worth seeing is that each outlandish, delightfully over-played scene has a bit of truth to it that will make you laugh or most certainly smile.

“How to Succeed in Business Without Really Trying” plays through February 27. Matinees are Wednesdays, Thursdays, Saturdays with a brunch show on Sundays. Evening performances are Fridays and Saturdays. Ticket prices for show and dinner are $48 plus tax. Check your local tour agencies for the best bargains on all-inclusive tours packages. Group discounts are available. For reservations or further information call 888-655-7459 or visit their Web Site at www.showpalace.net.

AUDITIONS

2011-01-09T21:24:00.000-05:00

TBA

OCT Dares to Bare All in "The Full Monty"

2011-01-07T15:55:00.004-05:00

................................................submitted photo

It couldn’t be tougher times for men. Unemployment is high as the closing of a Buffalo, New York steel mill puts thousands of men out of work. They muddle and muse with what to do. It’s a theme common in our current Great Recession and is now playing out in the musical comedy “The Full Monty” at the Ocala Civic Theatre.

The women seem to be weathering the economic storm with their non-factory jobs and still have a few bucks to stuff the briefs of the Chippendales when they come to town.

Idled steelworker Jerry Lukowski (Patrick J. Stanley) has an idea. If there is still money around for the Chippendales, why not for a strip show featuring local talent from the union hall? The idea takes hold as he recruits Dave (Andy W. Davenport), Malcolm (Armando Guerra), Harold (Jeff Cole), Ethan (Jonathan Williams), and ‘Horse’ (Neal Greene).

The eclectic sextet clumsily rehearses accompanied by a vaudevillian piano player Jeanette (Marty McLean). But they coalesce through camaraderie and find self-esteem even if it is as male strippers. Watch how they get their act together with the “Michael Jordan’s Ball” routine!

Stanley, a veteran stage performer, comes out swinging in the anger of being abandoned by the steel mill that exacerbates his already complicated personal life. He punches these initial songs, but keeping this level through the first act does not allow the audience to develop empathy for the bedraggled Jerry. I was pulling more for Davenport as Dave throughout. Maybe it was supposed to be that way.

Dani Moreno-Fuentes blows the audience away with her high energy singing and swinging. Other OCT veterans McLean, Cole, and Chip Morris (in various cameo roles) all give polished performances.

Scenery is pedestrian for an OCT musical. Music played off-stage, conducted by Jason Bartosic is good. Guest Director/Choreographer is Myles Thoroughgood. All principals wear microphones.

“The Full Monty” began as a British 1997 movie based on the closing of a steel mill in Sheffield, England. The term ‘Full Monty’ is English slang for ‘frontal nudity.’ The Americanized musical version opened on Broadway in 2000 where it had a successful run of 770 performances.

The normally staid Ocala Civic Theatre had the courage to select this somewhat controversial musical for their New Year’s Eve presentation. I reviewed the January 6 show which was well received.

You will want to see this show, not for its titillating script nor its prosaic music, but for the fun created by an enthusiastic cast which becomes contagious for the audience.

BE WARNED that adult language is an integral part of this show.

The remaining production dates for “The Full Monty” are Wednesday, January 12 to Saturday January 15 at 8 pm and matinees Saturday and Sunday January 16 at 2 pm. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com. Ticket prices are $20.

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Thirteen Area Shows Open in January

2011-01-06T16:01:00.005-05:00

How to Succeed in Business... Jan. 7 ... Show Palace Dinner Theatre...Hudson

Elephant Man...Jan 7...Acrosstown Theatre...Gainesville

End Days...Jan 7...Hippodrome...Gainesville

Chicago...Jan 14...Theatre Downtown...Orlando

Chorus Line...Jan 19...Savannah Center...The Villages

Don't Drink the Water...Jan 20...Lake Mino Rec...The Villages

Steel Magnolias...Jan 21...IceHouse...Mount Dora

Dirty Rotten Scoundrels...Jan 21...Moonlight Players...Clermont

God’s Favorite...Jan 21...Melon Patch...Leesburg

Murder Room...Jan 21...Gainesville Community Theatre

It Runs in the Family...Jan 26...Central Florida Community College Foundation Dinner Theatre...Ocala

Midsummer’s Night Dream...Jan 26...Shakespeare/UCF...Orlando

Grapes of Wrath...Jan 28...UFL...Gainesville

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2011-01-05T16:57:00.000-05:00

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"Oklahoma!" Cast Named

2011-01-05T16:16:00.003-05:00

Director Sandie Hawthorne announced the cast for "Oklahoma!" the Spring musical by The Villages Musical Theatre Company:

Curly............Jeff May
Laurey.........Sue Schuler
Will Parker..John Rogerson
Ado Annie....Linda Berthiaume
Aunt Eller.....Sylvia Whitney
Jud...............Tom Mitchell
Ali Hakim.....Gerry Sherman
Gertie...........Billie Thatcher

Production dates are April 18 - 20 at the Savannah Center in The Villages

Villages Theatre Company Announces Cast

2011-01-04T16:41:00.001-05:00

Director Caroline Hoffman has selected the cast for the Spring production of the Villages Theatre Company, Neil Simon's "The Sunshine Boys.

Willie Clark: Ken Hoffmann
Ben Silverman: Ken Zacharias
Al Lewis: Otto Canis
Patient: Bill Whitney
Eddie/Assistant: Mike Merritt
Nurse: Kay Simpson
Registered Nurse: Sandra Lee Clark
Voice/Director: Linda Merritt
Announcer: Sy Loss

Performances will be held at the Mulberry Grove Recreation Center on February 18,19,20 and 21, 2011.

Two Scrooges Too Many, Too Much?

2010-12-07T19:01:00.004-05:00

...........................................................................BAY STREET photo submitted

It’s seldom the case that two Lake County Theatres put on the same show in a season. But this year both Bay Street in Eustis and Moonlight Players of Clermont have the same shows running at the same time. The Trial of Ebenezer Scrooge, a comedy, is enjoyable watching on either stage.

Scrooge returns to his old ways and sues Marley and the three ghosts for trespassing and kidnapping. The plaintive Scrooge appears as his own lawyer. (He’s too cheap to hire one!) He’s up against a wily defense attorney who calls to the witness stand familiar characters like Bob Cratchit, Scrooge’s love Belle, as well as the named defendants.

It is best to contrast the two productions. Ebenezer Scrooge at Bay Street is played to the hilt by Patrick Ward. He captures an eccentric Scrooge in a physical way that will not be forgotten. At Clermont, David Brown’s interpretation is much more measured.

Defense attorney Solomon Rothschild in Clermont played by Andre Provencher is humble, cunning, and wears a yarmulke. Joel Warren plays the lawyer as self confident to the point of arrogancy. His polished fast pace makes the first act at Bay Street fly.

Veteran character actor Hank Delorme (Bay Street) and Bob Hay (Moonlight) do justice to the part of the frustrated magistrate trying for some level of decorum in the courtroom.

Eustis actor Lawrence Benjamin plays the Bailiff for laughs, but James Canavan took the route of a buffoon in Clermont. Canavan’s performance reinforces the adage: “There are no small parts...”

The real separation between the two performances lies within the minor characters. In Eustis, actors take on multiple roles. The women are played in drag. Playing the Marley-Cratchit combination does not allow Rick Paulin time to use ghostly facial makeup. Clermont uses a bevy of single actor roles that comes off somewhat better. Bobby Mullins’ Marley, for instance, has the right face makeup to match his own special effects.

This is a well-written script that makes a great take-off of the Dickens’ classic. You cannot go wrong with either production, particularly at the going price of $10 for either!

The Trial of Ebenezer Scrooge by the Bay Street Players of Eustis directed by Joel Warren has ONLY ONE NIGHT LEFT: Sunday, December 12 at 7:30 pm. Telephone contact is 357-7777. Also visit their Web Site at http://www.baystreetplayers.org/.

The same title is directed by Thomas J. Kline of the Moonlight Players in Clermont and runs weekends through December 19. Make reservation on their answering service at 319-1116. They always call you back. Also visit their Web Site at www.moonlightplayers.com.

SEE THESE SHOWS? Comments will be posted!

............................................Moonlight Players photo submitted

Show Palace musical takes different peek at the Holidays

2010-12-03T14:48:00.006-05:00

..................................................................................photo by Scott Daniels
The Show Palace wanted to do something new, all new, for their 2010 Holiday Show. So Matt McGee, Scott Daniel, Stan Collins and Alison Burns pooled their talents to come up with a look at Christmas from the streets of New York in the 50’s with the title of Big Apple Christmas. They take pulp fiction characters on a trip that embodies their own slant on Santa Claus.

It’s a musical with an original book and score, and the lead belongs to David Valentine as Detective Rex Darlington, a Dick Tracy good guy. He is making his debut at The Show Palace and is backed up by Elizabeth Claire Bailey (Miss April Hollythorne) as a Tess Trueheart only with a job as a journalist. Valentine and Bailey, both Equity Actors, can act and sing their way through this plot with theatrical ease.

The bad guys are NYC hooligans a la Damon Runyon. Joel Gennari and Michael Miller play bumbling henchmen for laughs. Lukas Cyr is the mob boss who is trying to go straight while Mama Nunzio (Mark Melton) prefers the more devious approach. I would not have cast Melton in drag for this role, although I must admit he did have me fooled for a few minutes.

And, of course, there is the Santa figure (Monte Michelsen). The three kids around which the whole plot revolves are Eric Vance, Matthew Romeo, and Megan Sell. The star performer of the trio is ten-year-old Sell who also gave an outstanding portrayal last season as the youngest of Tevye’s daughters in Fiddler on the Roof on this same stage.

Music is enjoyable and the lyrics made sense, but you won’t hear any Christmas carols until the finale. Sound and costumes gets a plus mark. The near capacity Sunday Brunch bunch sure seemed to enjoy the show.
For something out of the ordinary, try the Big Apple Christmas at the Show Palace Dinner Theatre. This show will not make it to Broadway, but may just be the ticket for the next three weeks.

This musical runs through December 25. Matinees are Wednesdays, Thursdays, and Saturdays with a brunch show Sundays. Evening performances are Fridays and Saturdays. Ticket prices for show and dinner are $48 plus tax. Check AAA and other travel agencies for the best bargains on all-inclusive tours packages. Group discounts are available. For reservations or further information call 888-655-7459 or visit their Web Site at www.showpalace.net.

Holiday Season Starts with "Miracle..."

2010-11-23T10:02:00.006-05:00

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.........................................................................................photo submitted
There is nothing better to kick off the holiday season than a story about Santa Claus. In Miracle on 34th Street now playing at the IceHouse Theatre in Mount Dora, the legend of St. Nick is tested. Is it fact or fiction to a nine-year-old?

It’s 1947. Macy’s is putting on its 27th annual Thanksgiving Parade in New York, but there is a problem. The parade’s star, Santa Claus, is inebriated and department store executives Shellhammer (Jeff Wise) and Doris Walker (Jennifer Bonner) desperately search for a replacement. By chance, they discover Kris Kringle (Frank Zeleznik) wandering through the store. They ask him to be their substitute Santa Claus at the store as well as in the parade. He accepts

The new Santa Claus has a knack with children and somehow seems to deliver everything he promises. The pragmatic, recently divorced Walker tells her young daughter Susan (Katie Mecca) there is no Santa Claus and to forget the legend that you can get something by just wishing for it. Susan meets Kringle and is not so sure that her mother is right.

When Kringle insists he is the real Santa, the store psychologist Sawyer (Charlotte Jardine) wants him committed. Only a court of law in New York City can make the final ruling on the question: “Is Kris Kringle really Santa Claus?”

Equity actor Zeleznik plays the lead role with a touch of humanity you seldom see. The retired dentist originally called Cleveland his home and sports a half-century of acting in community and professional theatre. This is his fifth appearance at the IceHouse.

The lead female role by Bonner is played straight away. The big surprise is the fine portrayal of her suitor, Fred, by Tommy Wooten, a polar opposite from his last role in Little Shop... on this same stage. Mecca is a good choice for Susan. The youngster’s movements and articulation are a joy to watch and hear.

Rick Breeze (District Attorney) and Ken Peterson (Judge) deserve mention for their skill in important secondary roles.

The 1947 film Miracle on 34th Street was just what the war-weary country needed. While the film was a huge success, the following stage versions just did not cut it mainly due to technical problems.

The real miracle takes place on Unser Street in Mount Dora and is performed by Artistic Director Darlin Barry as she juggles 32 scene changes and a cast of 43 and even ‘live’ reindeer as dictated by the script. Sure, there were some opening night problems with the set changes and even a missed entrance cue, but all things considered it was a satisfying Holiday production.

Miracle on 34th Street at the IceHouse Theatre in Mount Dora runs through December 19. Ticket prices are $20. Evening performances start at 8 pm except for Thursdays 7:30. Sunday matinees start at 2 pm. Senior tickets for Thursday and Sunday shows are priced at $18. For further information call 383-4616 or visit their Web Site at http://www.icehousetheatre.com/.

SEE THIS SHOW? GIVE US YOUR COMMENTS. WE'LL POST THEM.

HOLIDAY HAPPENINGS

2010-11-18T15:18:00.002-05:00

Show Palace Christmas ***

Show Palace Dinner Theatre
Hudson
Nov 25 – Dec 25

Miracle on 34th Street ***
IceHouse, Mount Dora
Nov 19 – Dec 19

Trial of Ebenezer Scrooge ***
Bay Street, Eustis
Nov 28 – Dec 12

Trial of Ebenezer Scrooge ***
Moonlight Players, Clermont
Nov 26 – Dec 19

A Christmas Carol ***
This Wonderful Life ***
Hippodrome Theatre, Gainesville
Nov 26 – Dec 19 in rep

The Full Monty ***
Ocala Civic Theatre
Dec 30 – Jan 16

The Nutcracker Ballet ***
Ocala Civic Theatre
Dec 10 – 19

Amahi and the Night Visitors***
Central Florida Lyric Opera
Lake Sumter Community College
Williams Center of Performing Arts
Leesburg
Dec 12 5 pm and 7 :30 pm

***Book Shows

SPECIAL YOUTH THEATRE PRODUCTIONS

Best Christmas Pageant Ever *** Kids
Ocala Civic Theatre
Dec 3 - 5

Babes in Toyland *** Kids
Melon Patch Theatre
Leesburg
Dec 9, 11, 12

Joseph and his .. Technicolor Dreamcoat ***Kids
Warren Acting Company
Mount Dora
Dec 16 – 19

REVUES AND HOLIDAY PRESENTATIONS

Holiday Duet
Ocala Civic Theatre
Dec 10 - 12

Singing Christmas Trees
First Baptist, Orlando
Dec 4 – Dec 13

GI Holiday Juke Box
Bay Street, Eustis
Nov 12 – Dec 19

Melon Patch Family Christmas
Leesburg
Dec 17 – 18

Opry Cast Christmas Show
Orange Blossom Opry
Weirsdale
Dec 4, 10, 11, 17, 18

Carved Ice Show
Gaylord Palms
Kissimmee
Nov 19 – Jan 3

Festival of Lights
Silver Springs
Ocala
Dec 3 – 31

Light Up Venetian Gardens
Leesburg
Dec 4 –31

Light up Mount Dora
Donnelly Park
Dec 4 - 31

Thanksgiving Treat at Melon Patch

2010-11-14T19:03:00.002-05:00

...............................................................photo by Mike Merritt
The familiar lyrics ‘Over the river and through the woods to Grandmother’s house we go’ bring back many happy memories. For 29 year-old Nick Cristano (Brendon Robers), ritualistic Sunday dinners with his four grandparents is best described by their motto “Tengo Familia” in the tender comedy “Over The River and Through the Woods” by Joe DiPietro now showing at the Melon Patch Theatre in Leesburg

Nick’s parents have escaped New Jersey to Florida and his sister has traded harsh East Coast winters for temperate San Diego. By default, Nick becomes the family lynchpin for the grandparents. When Nick tells them about a job offer in Seattle, their world seems ready to crumble.

Grandparents Frank and Aida Gianelli (Kent Schroeder and Noel Miner) along with Nunzio and Emma Cristano (Ken Hoffman and Sandie Hawthorne) conspire to get Nick a girl friend hoping he will have second thoughts about moving west. They invite unmarried Caitlin O’Hare (Jennifer Fink) to dinner as a surprise. The potential match backfires and Nick ends up with an anxiety attack that confines him to the Gianelli homestead for the next week.

Now in close quarters and with extra time, Nick gets to really know and appreciate his grandparents. On the other hand, the generation gap looms as a chasm when Nick tries to explain the game of Trivial Pursuit to his elders.

The essence of DiPietro’s exceptionally fine script is found in monologues where
each character reveals his feelings about family relationships.

Rogers in the lead role is a graduate of the American Academy of Dramatic Arts in New York. He has appeared previously at The Patch in “Inspecting Carol”. His portrayals as Ross in “The Elephant Man” and as King Henry in “Man for all Seasons” with the Bay Street Players have been notable.

Hoffman, Hawthorne, Schroeder, Miner, and Fink are all experienced actors with a string of credits. The show is directed by Ken and Caroline Hoffman.

“Over The River....” is deservedly a popular show and marks its fourth run in the local area. This warm comedy creation by DiPetro is a perfect selection by The Patch to bridge the Thanksgiving season.

“Over The River...” at the Melon Patch Theatre in Leesburg runs weekends through November 28. Prices are $15. Evening show times are 8 pm. Sunday matinees are at 2 pm. Note: the last Saturday performance, will be a matinee. For reservations or further information call 787-3013 or visit the Web Site at www.melonpatch.org.

Note: THIS IS NOT A REVIEW

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Coming next

2010-11-13T10:34:00.000-05:00

Show Palace Christmas
Show Palace Dinner Theatre
Hudson

Trial of Ebenezer Scrooge
Bay Street Players
Eustis

"Romance in D" an Afternoon Delight

2010-11-12T14:05:00.003-05:00

It’s cute, funny, and romantic. It also fits the scenery already on stage for the Signature series. That makes it a win-win situation not only for Ocala Civic Theatre but also for area seniors who want to see a full length show during a weekday afternoon.

“Romance in D” opens with the apartment of Isabel Fox (Melody Murphy) on stage right and Charles Norton’s adjacent suite on stage left. Isabel’s life is a mess. Her husband 50, has run off a woman 20, and she 40 can ‘do the math.’ Losing her job reduces her self confidence to a level that she cannot even perform a simple suicide

Reclusive Charles (Howard Christ) is a musicologist (whatever that is) and works alone. Mostly by chance, he rescues Isabel from herself and they find some company together.

The real action starts when Isabel’s father George (John LaPaille) meets Charles’ mother Helen (Martie McLean) and they are attracted to each other.

Murphy and Christ do a fine job in the leads but the elder afternoon crowd was pulling for LaPaille and McLean. LaPaille is a local actor who grows with each part he plays. He began his acting ‘career’ in “Plaza Suite” at OCT over a decade in Act Three. (I had the male lead in Act One in the same show.)

McLean is a true method actress. She gets more than her share of laughs. Five years ago she won the Best Actress of the Year award from me for her sterling presentation of Blanche DuBois in “Streetcar....” at the Marion Theatre. This performance at OCT just confirms her talents.

Director SuSu Sparkman shows her coaching prowess in the timing where scenes are performed in the two apartments simultaneously. The crossing dialogue is entertaining and cleverly written by playwright James Sherman. However, his creation of the Norton family as Jewish, perhaps for better NYC audiences, makes the story line seem predictable and somewhat trite.

But don’t pull that lame excuse “I can’t drive at night” to not see “Romance in D. It is delight.

Romance in D is part of the Ovation Series and runs through November 19. Evening performances are at 8 pm on November 14, 15, 16 but matinees at 2 pm on Thursday and Friday November 18 and 19 are recommended. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at www.ocalacivictheatre.com.

Script Trivia:

What is the definition of deliquesce (a zinger in a spelling contest!)?

Editorial: Joy Anderson Leads way to Decline COTS Offer

2010-11-11T14:07:00.000-05:00

Wednesday’s meeting of The Villages Amenities Authority Committee was attended by over 400 residents who were there to voice their opinions on the Developer’s proposal to convert the Church on The Square into a performing arts center.
A motion early in the proceedings by VAAC member Joy Anderson (Lake County) put an early stop to the discussion. She wisely moved to have the Committee not accept any proposal which did not distribute its costs equitably among the residents. (The Church on The Square proposal places a disproportional amount of costs on the properties north of 466.)

The Committee voted 5-1 for her motion. The Developer’s proposal, therefore, was not considered for approval. There were several comments from the floor, but by then the issue of accepting the proposal was a moot point.

Congratulations to Anderson! It is not 1860. Our country is based on the 1863 credo: ‘of the people, by the people, and for the people’ and all residents should equally share the costs and benefits of living in this place we call ‘The Villages.’ She set the record straight on that!

Note: The AAC meetings are recorded and the exact proceedings are accessible to the public.

Laughs for Everyone in "Lend Me a Tenor" at The Ocala Civic Theatre

2010-11-07T21:26:00.003-05:00

...............Tito (J. Charles Bartosic) and Max (Richard Price)
........................................................................photo by Mary Britt

Mistaken identities has been a staple of many comedies since Shakespeare, but author Ken Ludwig takes it to a new level in “Lend Me a Tenor” which opened last Thursday at the Ocala Civic Theatre. The script is a true farce with the prerequisite five doors, fast action, and surprise situations. Audience members were ready with laughs at the first gag line.

It is 1934 and the Impresario of Cleveland Opera Society Saunders (Jeff Cole), and his nebbish assistant Max (Richard Price), are waiting for the internationally renown operatic tenor Tito Merelli (J. Charles Bartosic) scheduled for a one night benefit performance of “Otello.”

Merelli and wife Maria (Allison Metcalf) arrive. Through a sequence of humorous events, Tito is declared dead minutes before the “Otello” curtain is about to rise. Sanders sees his night of triumph heading for disaster and convinces the introvertish Max to assume the flamboyant Italian’s identity. After all, Max can sing, knows the music, and the Otello’s blackface, wig, and full costume make a perfect disguise. Max takes the plunge.

Everyone tries to curry the pseudo star’s favor. Julia (Janet Grogan), matriarch of the Opera Guild, seeks to physically relax Tito. Maggie (Sara Olsen), Saunder’s daughter, sacrifices her virginity on the altar of his aura while Diana (Maureen McCluskey), the opera’s diva, tempts him while clad only in a bath towel. Bellhop (Jason Newkirk) grovels before him in hopes of impressing him with his singing.

In disguise, Max enjoys the adulation and magically morphs from a milquetoast mannequin to a magnificent Mediterranean maestro.

Tito miraculously revives himself and dons his backup costume, the comedy of mistaken and assumed identities hits full stride.

Bartosic is excellent as the blustering Italian. Prices matches that performance as the ingenuous Max. They work off each other exceptionally well and both sing parts that usually are dubbed or lip-synced. Veteran OCT actor Jeff Cole starts off a bit slow, but then catches fire as his experience kicks in.

Faith Carney (Maggie) and Armando Guerra (Bellhop) get passing grades, but Grogan and Bradford are tentative in their parts. Metcalf (Maria) while showing many proper movements does not have the vocal gusto to pull off this important role.

Director Carlos Asse has a page full of credits and knows how to get the extra laughs. Just watch how many times he has Bartosic and Price mirror match themselves in adjacent rooms.

Set design is a great match for the 1934 Cleveland Hotel rooms complete with transoms. Costume and makeup of the two Otello’s is the best I have seen. Also check out Maggie’s period shoes. Voice projection was not a problem.

The lead actors give “Lend Me a Tenor” enough momentum to rate a high should-see nod from me. After a tumultuous election campaign, this show is a delightful way to recover. The show runs Wednesdays-Sundays through November 28. Ticket prices are $20. For reservations or further information call 352-236-2274 or visit their Web Site at http://www.ocalacivictheatre.com/.

Trivia:

Otello or Othello? Which is correct?

Why is the show set in 1934 Cleveland?

University of Florida Gainesville Presents Seldom Seen Musical "City of Angels"

2010-11-02T20:37:00.004-04:00

Actress and singer Billie Thatcher comments on this show:

The Skipper (Mark Finkle) and I just returned from seeing a performance at UF in Gainesville...........and what a job they did!!!!!!!

I would never have known about this show had it not been for your website, so THANK YOU!!!!!!!!!!!!!!!!! I saw this show on Broadway in 1990, and just went crazy for it!!!!! I've played the cast album a thousand times, and have sung several of the songs in various venues over all these years, but had never seen another version of the show until today. So it was really an enjoyable experience for me!!!!!!!!

Billie

The story is convoluted and campy but the Broadway musical “City of Angels” won the Tony Award for Best Musical in 1990. It’s about post war Hollywood where an author is writing a murder mystery. The story is not complete, so you see the book unfold before you as it is written and often changed.

The show is directed by Tony Mata of the Fine Arts College and features theatre students. It opens at the Constans Theatre with production dates of November 5 – 14. Ticket prices are $13-$17. Show times are 7:30 for evening performances Tuesday-Saturday. Sunday matinee performance is at 2 pm.

For tickets and information contact University Box Office at 352-392-1653.

Also tap icon on left for other information.

CFCC students showcase musical "Tommy"

2010-11-01T20:37:00.004-04:00

Central Florida Community College at its Ocala Campus will open its fall presentation "The Who’s Tommy", the rock sensation of the 1960’s. This production will feature singers and dancers from the Visual Arts Program.

“It’s a big sweeping story with many production elements and incredibly fun music,” according to Rob O’Brien, assistant professor of theatre at the college. The Visual and Performing Arts faculty is guiding this show.

Tommy is a severely handicapped young man who rises above a totally dysfunctional family environment to become a pinball wizard. He attempts to adjust to the notoriety changes his life forever.

Tommy is played by R.J. Lemire. Other principalsd are Orlando Jackson, Anthony Guilardi and Kayela Covey

This is an unusual opportunity to see college appearing in a book musical at a price you cannot beat. Tickets are general admission priced at $10 in the Fine Arts Auditorium at the Ocala Campus. For information call the CFCC box office at 352-873-5810. Evening performances are November 12, 13, 18, 19 at 7:30. Matinees are on November 14, 21 at 3 pm.

Tap icon on left for further information.

Villages Discount for "How to Succeed..." at Show Palace Dinner Theatre in Hudson

2010-10-30T20:40:00.005-04:00

The Villages Musical Company’s spring 2010 show “How to Succeed in Business Without Really Trying” was a smash hit at the Savannah Center in The Villages. If you want to compare this excellent work with a professional showing of this same title, then you are in for a treat.

Ticket reservations are currently being taken for the Show Palace Dinner Theatre in Hudson for January 30 matinee performance. The special price for this date onlyis $43.

Contact Carol Simmons at tomsimmons46@embarqmail.com to be put on the list. THE DEADLINE DATE FOR THIS DISCOUNT IS NOVEMBER 15!!!!

CFCC Foundation announces its Dinner Theatre Night

2010-10-30T19:23:00.000-04:00

The Foundation at Central Florida Community College will be holding its annual Dinner Theatre at the Webber Center in Ocala January 26- Feb 5. “It Runs in the Family” is this year’s comedy produced by the Stage Door Theatre of Ocala. The British farce is written by Ray Cooney who also penned last year's riot “Move Over Mrs. Markham”.

Tickets for this show are $50 and include a gourmet dinner complete with deserts and drinks. It’s a dress up affair worthy of your consideration.

Call 352-878-5808 or visit www.cfccfoundation.org.

"Macbeth" Plays Big at Small Theatre by Moonlight Players of Clermont

2010-10-26T17:07:00.003-04:00

My schedule allows for only one Shakespearean play to be reviewed per season. Macbeth by the Moonlight Players of Clermont made the list. It is a giant of a play produced by the smallest theatre in Lake County. They were up to the challenge.

Shakespeare’s tragedies are all full of royal combat, blood, and murder allowing only a handful of characters to survive to the end. The physical mayhem played well in the pits of London in the 1605. For the complete plot, I recommend you pull out your old Cliff Notes.

Briefly, three witches open, giving the show setting a ghoulish, Halloween tilt. Denise Glicker leads the trio aided by Chloe Shirk and Nikki Werner. They tell Macbeth he is destined to become the Scottish king.

Macbeth (Spenser Jenkins) is one of King Duncan’s (Charles Truscott) generals. His ambitious wife Lady Macbeth (Jenn Roman) prods him to seize the throne by any means quickly to fulfill the prophecy.

While Jenkins plays the beleaguered and haunted Macbeth with appropriate strength, it is Roman’s performance that transcends all others. She steps inside Lady Macbeth as she passes from arrogance to being crippled by guilt.

Veteran performer Billy McCoy took the easy way out by snagging the role of the one-eyed Banquo. He is killed in the first act.

In one of the best scenes in the play, Malcolm (Dean Morrison) and MacDuff (J. Michael Werner) scheme to assassinate Macbeth and avenge the murder of MacDuff’s wife and son (Cindy Shepard and William Rigsby).

The difficult language of Shakespeare is handled well by all the actors. A few need to project better and the men in the ensemble should react more to the bloodshed and battles.

Congratulations to Director Dan Martin for being to amass some 20 male actors to do Shakespeare. It is a miracle itself. “I gave them some swords and they were hooked,” Martin said. Fight Choreographer Chris Ferris gets my applause for some realistic swordplay.

Costuming by Diana White is true to the period.

Big shows don’t seem to daunt this small theatre. While I prefer Shakespeare’s comedies, this Macbeth gets a nod from me.

Macbeth runs through November 7 at the Warehouse Theatre in Clermont. Ticket prices are $10. Make reservation on their answering service at 352-319-1116. They always call you back. Also visit their Web Site at http://www.moonlightplayers.com/.

"Macbeth" Trivia

2010-10-25T17:12:00.000-04:00

The three most common quotes from Macbeth are:

“Double, double, toil and trouble” The witches brewing up a mystic potion.

“Out, damned spot! Out, I say!” (No, it’s not a laundry commercial.) Lady Macbeth trying to wash out a blood spot which haunts her

“Lay on McDuff” Macbeth challenging McDuff to a fight.

Saying “Macbeth” by an actor brings misfortune according to legend. How is the play referred to by theatre people?

“That Scottish play.”

Billie Thatcher Reprises Mama Rose in "Gypsy" at Savannah Center in Villages

2010-10-20T20:29:00.001-04:00

...................................photo taken at Melon Patch Theatre

Billie Thatcher continues her reign as Mama Rose in the musical Gypsy by The Villages Musical Company opening November 19 on the Savannah Center stage. This will be Thatcher’s sixth appearance as the pushy mother of the most famous stripper of all time---Gypsy Rose Lee.

Expect Thatcher again to captivate the audience. Well known locally for her concerts and appearances, she also had the lead (Nellie Forbush) in VMC’s initial presentation of South Pacific in 2002. She can belt Rose’s songs in “Gypsy” (originally written by Soundheim for Ethyl Merman) while totally submersing herself into the role of the quintessential stage mother who once had ambitions of her own.

Rose’s love interest is her agent, Herbie (Otto Canis). Canis has appeared in several roles for The Villages Theatre Company.

Sure to get most of the laughs will be jaded, time worn strippers Tessie (Jo Danko) and Electra (Joan Young) and Miss Mazeppa (Carol Simmons).

The title role of Louise who morphs into Gypsy is played by Beverly Wehrheim. The difficult feature role of Tulsa will be played by Bill Krone who had a supporting role in VMC’s recent How to Succeed... Linda Berthiaume takes the role of the adult June.

The childhood roles are all played by students recommended by instructor Hunter Britton from The Villages Charter School. Fall Kuhn plays Baby June, Paris Van Gorder plays Baby Louise, Olivia Kuhn plays the Clarinet Girl, and Lauren Deak plays the Balloon Girl

Musical Director is Hector Garrido and choreography is by Marge Blakely according to Director Diane Boorum.

Asked to comment on the show, Director Boorum noted "Gypsy has been a great experience--everyone is doing a great job and has really worked hard. Scheduling rehearsal times is always a problem, but everything is fitting together nicely."

Gypsy starring Billie Thatcher runs for only three performances, November 19, 20, 21 at The Savannah Center in The Villages. All performances are at 7 pm. Reserved seating tickets are $15 for residents and $18 for visitors. Tickets can be purchased at any of The Villages Box Office locations. Tickets can also be purchased on line at www.thevillages.net/boxoffice. For further information call 753-3229.

"Gypsy" Trivia

2010-10-19T21:00:00.001-04:00

Who played the leads in the film version of “Gypsy’?

The role of Mama Rose had to have a voice dubbed in. Who did that work?

What was the stage name of June who reached stardom on her?

What was Gypsy’s real name?